[IFFBoston Review]…Some Girl(s)

If you’re only cursorily familiar with the work of Neil LaBute, you may find Some Girl(s) a bit surprising. Of course, he can only claim credit for Some Girl(s) on the page; here it’s Daisy Von Scherler Mayer, not LaBute, serving as the production’s architect, working off of his screenplay and adapting his stage play […]

[IFFBoston Review]…Willow Creek

Shakes the Clown, Sleeping Dogs Lie, World’s Greatest Dad, God Bless America…Willow Creek. One of these things is not like the other, but that’s what makes Bobcat Goldthwait an exciting filmmaker: he’s capable of stepping out of his comfort zone (which, ironically enough, encompasses uncomfortable pursuits and ideas) and trying his hand at something that’s totally atypical of […]

[IFFBoston Review]…Much Ado About Nothing

There are two distinct halves to Joss Whedon’s Much Ado About Nothing: one is a modern rendition of what’s arguably Shakespeare’s wittiest comedy, and the other is, well, a Joss Whedon film. Diehard fans of the Avengers director and all-around geek god will naturally flock to it, and for them, the joy of the project […]

[IFFBoston Review]…V/H/S/2

Last year’s horror anthology V/H/S (our review from IFFBoston ’12) may only be half a good movie, but it wound up being an exciting experiment even though it didn’t live up to its full promise. Two hours of horror embodied in a succubus, a slasher, demonic possession, aliens, and killer lesbians sounds like a great […]

[IFFBoston Review]…The Way, Way Back

If there’s one problem with The Way, Way Back, it’s that it takes about twenty minutes to find its groove. In that span of time, we’re kept in the company of unpalatable characters ranging from mostly terrible adults to mostly petulant teens, while our anchor in the setting, the painfully awkward protagonist, Duncan (Liam James), […]

[IFFBoston Review]…The Spectacular Now

If The Spectacular Now, director James Ponsoldt’s follow-up to his 2012 sophomore effort, Smashed, can be described in a word, it’s “candid”. Of course, there are many other words well-suited for conveying the film’s numerous positive qualities- sweet, funny, insightful, vital, bold, and even original- but contemporary coming-of-age dramedies usually don’t bother with being this […]

‘Willow Creek’ Gets An Amazing Poster

Let’s keep this short and sweet since it’s the end of the day: I might not love all of Bobcat Goldthwait’s films (I found God Bless America to be pretty repugnant despite being really, really well-crafted), but he’s an incredibly magnetic and interesting character and an exciting filmmaker. So it stands to reason that I’m pretty […]

[IFFBoston Review]…Ai Weiwei: Never Sorry

There’s a degree to which the story of Chinese artist-activist Ai Weiwei– filtered through the lens of director Allison Klayman– is incomprehensible. Not in terms of our ability to latch onto and absorb the information Klayman conveys to us, mind; referring to craft and technique, Ai Weiwei: Never Sorry has much and more to recommend […]

[IFFBoston Review]…We Are Legion: The Story of the Hacktivists

Brian Knappenberger’s We Are Legion: The Story of the Hacktivists is a lot of things, but first and foremost it’s an outstanding example of documentary filmmaking done perfectly; it’s exciting, it’s propulsive, it’s entertaining, and it’s insightful. Documentaries should be educational and thorough as a rule, and We Are Legion doesn’t disappoint in that respect, but […]

[IFFBoston Review]…V/H/S

V/H/S could very well represent the pinnacle of found footage horror cinema. Actually, it may be fairer to think of the film a “do this, not that” instructional presentation to other aspiring horror filmmakers.  In turns, V/H/S demonstrates both how to do found footage well and how to fail miserably maneuvering within the sub-genre’s cinematic […]