[Fantastic Fest Review]…The Young Offenders

“There are two things you need for a good adventure: a treasure map, and someone dumb enough to go with you.” If you were to read that, you might just be inclined to follow the person who said it. If not, you might just miss out on one hell of a wild ride. The Young […]

[Fantastic Fest Review]…They Call Me Jeeg Robot

If you’re just about numb to comic book films these days, then allow this quaint Italian picture to cleanse your palette. The debut feature-length effort from from Gabriele Mainetti seems like a fresh yet familiar take on this type of film; it also reminds once how much fun this type of story can be sans all the […]

[Fantastic Fest Review]…A Dark Song

At Fantastic Fest, the largest genre film festival in the United States, you tend to get two types of films. First, there’s the wacky, chimerical, excess-for-the-sake-of-it, ratings-be-damned insanity. Then you get the very pensive, David Fincher- or David Lynch-type narratives. A Dark Song, the debut effort from Irish film director Liam Gavin, is very much the latter. An […]

[Fantastic Fest Review]…Terry Teo

Four years ago, Danger 5 screened at Fantastic Fest to a welcome response. In 2014, Wastelander Panda was met with similar acclaim. Now, a similarly entertaining and fairly wacky television show arrives, this time from Housebound writer/director Gerard Johnstone no less. We’d like to introduce Terry Teo. Whether you’re familiar with book series that inspired this (and the popular ’80s children’s television series it spawned) is […]

[Fantastic Fest Review]…Dearest Sister

People say that there is art through adversity. As such, to begin, it’s worth stating that Mattie Do‘s latest feature is the 13th film to come out of Laos… in its history. Furthermore, it is worth noting that she is a female filmmaker in a Marxist state. So while the country is fraught with local censorship, Do is able […]

G-S-T Review…Suicide Squad

It’s depressing when you look at a film and think how it could have been done better. In short, Suicide Squad is hyper-styled, over-produced, and yet very underwhelming. But one must realize that what we see on screen doesn’t just happen. These productions have a lot more hands in the pot than you might comprehend, […]

G-S-T Review…The Nice Guys

Whatever narrative nugget come from the mind of Shane Black, it is most likely guaranteed to be gold – comedic, dramatic, or something in between. Given that this hilarious detective yarn seems culled from any number of buddy cop films, or seminal TV shows, The Nice Guys is an uproarious outing, and one that allows Black […]

G-S-T Review…Midnight Special

When it comes to Jeff Nichols, the man knows how to keep you in suspense while teetering on the edge of boredom. That’s meant to be a compliment, not an insult, but the banality, or better, normalcy in his films help ground both the protagonist and the viewer in the real world. A combination of […]

G-S-T-Review…Batman v Superman: Dawn of Justice

If you saw one movie last weekend, it was most likely Zack Snyder’s follow-up to Man of Steel. A cinematic event both hotly anticipated and highly divisive in the movie-going community, this iconic “match up” is something of an anomaly. On paper (both the story from David S. Goyer and Chris Terrio, and the various […]

G-S-T Review…Zootopia

You really have to give Disney a hand for getting back in the animation game. Thanks to hits like Wreck-It Ralph, Frozen, and last year’s Big Hero 6, Disney is once again a major force in the industry. Change is inevitable, and as things go, producing features using drawn animation could only have lasted so long. CGI […]

G-S-T Review…Lazer Team

One of the darlings of Fantastic Fest, and others like it, this sci-fi buddy comedy – about four morons being Earth’s only hope against pending galactic doom (would you expect any less from a genre film?) – is everything you could want in a midnight movie. As such, it joins a long line of preposterous romps, namely Idiocracy, Hobo With […]

G-S-T Review…The Revenant

In what might be the best film of the year (not the most popular – that’s a toss up between Star Wars: The Force Awakens, Mad Max: Fury Road, and, for us, The Martian), Alejandro González Iñárritu one-ups his stellar Birdman with an equally compelling narrative which is, shockingly, a true one to boot. The Revenant has echoes […]