When it comes to indie music, we go all in, and love finding new artists, new tunes, and new styles. Our lifeline to life-changing sounds has and continues to be Bandcamp. This go-to platform and community is home to hundreds of thousands of folks who are likely to produce your next favorite earworm. We have a solid list of folks whose works have become part of our DNA. While they may not be household names, they live rent free in our heads and on our turntables. As such, we were excited to speak with Highway Superstar about his otherworldly creations and soundscapes. The musical alter ego of Alex Karlinsky (the…
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Interview…Composer Colin Stetson on the Musical Terror of ‘Uzumaki’
Today, we got to speak with super stylish saxophone wizard Colin Stetson. He’s made a name for himself with vast soundscapes and unnerving compositions in films like Color Out of Space, The Menu and Hereditary. He’s also got a new one coming next month from Hulu called Hold Your Breath where he similarly works his unsettling magic in an intimate, small-scale picture. But the topic du jour is the palette he crafted for the unbearably beautiful yet grotesque adaptation of the Japanese manga Uzumaki. Here are some notes from the official Milan Records press release about the show and the soundtrack. A captivating masterclass in psychological horror and obsession, Uzumaki…
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Interview…Jasmine Myra on Spiritual Jazz, Personal Journeys, and ‘Horizons’
As an art form, music does what it does best when it moves you. But just what does it move us to do? Do we climb a snow-capped mountain because we listened to Vince DiCola‘s music for Rocky IV? Do we enlist in the military after hearing “God Bless the U.S.A.” by Lee Greenwood? What about when the music is so mellow, you just want to have a coffee with the person who made it and get to know them better? Well, that last one is why we’re here today. Jasmine Myra is a Leeds-based composer, saxophonist, and bandleader – while she may look incredibly youthful, make some no mistake,…
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Interview…Kilamanzego on Identity, Electronic Sounds and ‘Black Weirdo’
If you’re on the hunt for new music, and are open to a palette expanding paradigm shift, you can’t do any better than Kilamanzego [“kill-a-man’s-ego”]. The moniker for Kay Oko (an experimental electronic music producer, vocalist, and visual artist based in Philadelphia) becomes her performer name – which initially was almost “Kilimanjaro” to pay homage to her African culture – that playfully and confidently makes a bold statement of women’s empowerment as a unique force in the electronic scene. We first heard her work on Bandcamp and were instantly hooked. After per-ordering her newest work, the pull-no-punches album called “Black Weirdo” has been playing non-stop in the car, my headphones…
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Interview…Paul Haslinger on Electronic Soundscapes, Subtext, and Scoring Processes
If you were around in the ’80s, few things defined “cool” like music did. And, film fan or not, the top of that list is most likely going to be Tangerine Dream: the German electronic music outfit who dominated airwaves and theaters with their cutting edge electric sound. One key member of that ensemble pushing the electronic side of the band was young Paul Haslinger who joined up with them after their big hits like Sorcerer and Risky Business. Bringing a younger video game sensibility, he helped change the course of their sound for the better and contributed plenty including scores to Near Dark, Miracle Mile and Three O’Clock High.…
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Interview…Barry Burns on Mogwai, Signature Sounds, and Never Reading the Manuals
When it comes to one-of-a-kind sounds, look no further than the Scotland-based, post-rock band, Mogwai. They hit your ear drums with a one-two punch of style and experimentation, and always take you on a true musical journey. We first stumbled on them while I was visiting Japan in 2006. Maybe it was the reference to Gremlins that caught our eye, but once we heard “Auto Rock” we were hooked. Over the years, they have lent their skill and sonic textures to film, shows, documentaries and rocked out plenty of stadiums. In 2016 however, they really outdid themselves with the score to Kin by our friends Jonathan & Josh Baker. Not content…
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Interview…Ultraboss on Strings, Shredding, Bach and Yacht Rock
For those of you on the hunt for new music and sounds you’ve likely never heard, Bandcamp has your fix. It’s an independent music platform that touts and supports thousands of artists from around the globe. My handle is RidgeRacer4, and over the years I’ve been introduced to hundreds of amazing sounds and albums. But the rabbit hole goes infinitely deeper. There’s literally a never-ending sound reservoir that keeps getting filled with more unique music each day. One artist we’ve really taken to is synth and six-string prodigy, Ultraboss. His real name is PJ d’Atri and PJ lives in Austria. Since I’ve been so drawn to the music on Bandcamp,…
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Interview…Jake Kaufman on DuckTales, Shovel Knight and Chip Tune Magnificence
Sometimes, life can be tough, a struggle, or worse. Some might even say that life is like a hurricane. How we weather the storm depends on the individual, but to get centered I like movies, music and some video games. On that note, running this site allows us to speak to all manner of people who make the things we love, and that includes video game music. So enter one massively talented and passionate composer, Jake Kaufman. When we say he’s good, we mean it. He’s really good, and to use some ’80s vernacular, he’s gnarly! Jake has written/produced superb music for multiple genres and two massively successful video game…
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Interview…Synthwave Superhero OSC on Digital Soundscapes, Luxuriant Vinyl and Ghostbusters
Hailing from Brighton, UK comes an electronic artist you’ve been desperately missing in your life. At GoSeeTalk, we’re fans of many things, and among them are films and synth music. Well, the universe must have aligned to let us find this sensational musician who makes simply stunning synthwave and vaporwave music that has very, very cinematic leanings. So who is this audio alchemist? Well, his parents call him Steve, but professionally he is Opus Science Collective (or OSC for short). This well-versed music producer, composer, remixer, works with various forms of electronica, Retrowave, Synthpop, Synthwave, ElectroFunk, Funk, Ambient & more. For more than an hour, we get to find out…
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Interview…Brittany Allen On Acting, Composing and Finding Her Voice
Brittany Allen, aka BRITT, is a multi-disciplinary artist, who on the heels of a successful career as an actor, is now emerging as one of the most exciting young female composers to watch. Her first score was for the critically acclaimed indie What Keeps You Alive (SXSW ’18) which was named a NYTimes Critic’s Pick, one of Rolling Stone’s Top Ten Horror Films of 2018, and hit the Top Ten films on Netflix. She followed that up with her “soul-tugging score” for Z, one of AMC / Shudder’s most watched films of 2020. Most recently, Allen scored the fan favorite episode of “American Horror Stories,” the anthology spinoff of the…
