It was ten years ago that the world fell in love with Turbo Kid, and part of what made that small-scale, cult classic an underground worldwide phenomenon was the incredible musical accompaniment. An exceptional powerhouse of synthesizer alchemy, Le Matos brings a very cinematic approach to their compositions. You can say that for a lot of musicians, but this time it’s completely justified – especially because they have a background in cinematography. So when they work on something, there’s a narrative through line where shooting styles can inform the soundscape, and vice versa. We’ve been a fan of the Montréal-based outfit for almost that long, thanks in large part to…