Breakthrough neo-classical composer Amelia Warner is best known for her stunning soundtrack for the 2018 Irish-American film Mary Shelley. It won Amelia the ‘Breakthrough Composer of The Year’ at the International Film Music Critics Association (IFMCA) Awards in 2019, and a nomination in the ‘Discovery of the Year’ category at the World Soundtrack Awards. However, before anyone got to hear her musical gift, she had a career in acting as she followed in her mother’s footsteps. Yet the desire to stay out of the spotlight and dabble in composing took root and quickly flourished. Warner’s debut major scoring project was the British short film ‘Mam’ which won several awards on…
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Interview…Howard Blake Career Retrospective: The Avengers, Commercials, Ridley Scott, Queen and ‘The Snowman’
Truly great pieces of art and entertainment come along once in a generation. They are so expertly crafted, and are so well appreciated that they eclipse a label like “iconic” and, by doing so, become legendary. When that happens, we can be moved, inspired and forever changed by what we’ve witnessed as a culture, population or individual. Sometimes you don’t even have to be part of that time/era or culture to recognize and value the impact, the power and the reach something has. Case in point: Beethoven’s Symphony No. 9 in D minor, Babe Ruth calling his shot, even a quaint animated children’s story. If we lost you on that…
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Interview…Composer Guillaume Roussel on Reviving ‘Black Beauty’
The holiday season is a great time to get together (safely!) with friends and family. And while the theaters are hurting, there’s still plenty of content hitting streaming platforms that we can enjoy with one another. One such title is the Ashley Avis penned/directed revamp of the classic novel by Anna Sewell which premiered exclusively on Disney+ on November 27. Guillaume Roussel was tapped to bring a fresh sound to Black Beauty. His palette was predominately the piano, but he added to it with a plenty of instruments including a dulcimer and other folkloric sounds/motifs. The result is a warm, heart-felt score that also becomes a bit of a travelog…
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Interview…Director April Mullen on Paranoia and Skewed Reality in ‘Wander’
This month, April Mullen‘s thriller Wander hits on Demand and Digital. The film sports an all-star cast including Aaron Eckhart (Midway, Thank You for Smoking), Katheryn Winnick (“Vikings,” The Dark Tower), Heather Graham (The Hangover, Boogie Nights), and Academy Award winner Tommy Lee Jones (The Homesman, No Country for Old Men). As a mixed Anishinaabe Algonquin (Indigenous) director, from Niagara Falls, Ontario, Canada, Mullen’s latest directorial effort is created in honor of all Indigenous, Black and People of Color who are targeted and have been displaced through border control on stolen land. It’s a vibrant yet sly neo-noir set in the Southwest, and it’s clear from the noteworthy opening that something is rotten in Denmark, I mean Wander. Whether it’s an unreliable…
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Interview…Composer David Fleming on Ron Howard, Hans Zimmer and ‘Hillbilly Elegy’
This year has taken a toll on all of us, and yet one constant has surfaced: family can get us through almost anything. Or maybe it’s that we’re more likely to survive Covid than our families? Either way, even though every family has its problems, we’re certainly better together than we are apart. As such, Hillbilly Elegy is about family and a whole lot more. The film adaptation of the best-selling book is directed by Ron Howard and, like all his films, there’s a real emotion weight because the story highlights the struggles and triumphs of characters who are broken or about to break. Helping give this tale its heart…
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Video Interview…Ema Horvath and Trey Tucker on Aliens and Paranoia in ‘What Lies Below’
In advance of the release of XYZ Films’ upcoming thriller, What Lies Below, we spoke to Ema Horvath and Trey Tucker about their characters and what they brought to the story. It’s an interesting film, and plays with ideas about paranoia and family troubles with aliens thrown in just to shake things up. It also, smartly, keeps the sci-fi elements in the periphery which puts focus on the tangible tension between the three main leads. In that respect, it’s got some similarities to The Twilight Zone. Written by Braden R. Duemmler, who is making his directorial feature debut, the film also stars Mena Suvari and Haskiri Velasquez. It’s sly sci-fi that succeeds…
