Do this experiment: Remove Bob Odenkirk from Nobody. And try to see the film again without his presence. Is it actually a good film without its most prominent element? I believe it is, and this is how the film goes past its well-planned advertising campaign in which we simply saw a comedy actor in a role that wasn’t supposed to be his. Nobody is a surprise and not because it delivered an irreverent role. It’s a good film because its narrative works, the story is interesting enough, and it never stops to ask too much questions. It’s exactly what we look for in an action film. Nevertheless, of course Odenkirk…