Fantastic Fest 2022 was one of the very best – it’s certainly tops in my book for all the years we’ve covered and attended. One take away that is more impactful and enduring than seeing some gonzo foreign film, sitting for a secret screening or getting in on the ground floor for the next big genre spectacle is the people. Whether it’s the fans, the festival staff (including those hard-working volunteers!) or the filmmakers, there is a certain kind of magical haze that only exists on the festival circuit. Moreover, I fondly (and sometimes fuzzily) recall the conversations, chance encounters and unexpected friendships that have emerged from being in the…
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Interview…Director Cyrus Neshvad on ‘The Red Suitcase’
Director Cyrus Neshvad’s The Red Suitcase is a heartbreaking story of a 16-year-old Iranian girl who is visibly terrified after picking up her red suitcase at the airport. She is seen to be lost in thought and taking her time to leave the departure lounge. What awaits her on the other side of the automatic doors is even more daunting than we thought. In the story, Neshvad uses the narrative as a metaphor for things the main character Ariane (stunningly played by Nawelle Ewad) faces culturally and personally; she does not accept how things are, the life her parents gave her, or the traditions that exist in her own country.…
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Interview…Justin Benson and Aaron Moorhead Dig Deep into Sci-Fi with ‘Something In the Dirt’
Filmmaking dynamic duo, Justin Benson and Aaron Moorehead are scientific anomalies in cinema. Their stories are so uniquely their own and so much so, they find themselves at the forefront of the genre landscape. But they’re also at the forefront of their own cinematic lens. If infamous is when you’re more than famous, then “in cinema” means, they are actually IN the movies. Yet for all the intergalactic yarns that have endeared them to scores of festival crowds, they try to dive into people more than plots. And when they do, even something as seemingly simple as that becomes a huge hot pot of thought-provoking ideas and genres. Sci-fi, comedy,…
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Interview…Composer Theodore Shaprio on ‘The School for Good and Evil’, ‘The Pirates! Band of Misfits’ and Cracking Musical Puzzles
For more than two decades, Shapiro has been solving cinematic puzzles both light and dark. He scored some of Hollywood’s classic comedies—including Idiocracy, Old School, Tropic Thunder, and Dodgeball—with regular collaborators such as Paul Feig, Todd Phillips, and Jay Roach. He’s also cracked the code of political dramas (the Emmy-nominated Game Change, Trumbo), adventures both animated (Spies in Disguise), and unconventional (The Secret Life of Walter Mitty), as well as sexy, stylish mysteries (A Simple Favor). Shapiro is like a character actor, putting on different musical costumes and adopting accents to disappear into roles much like Jessica Chastain in The Eyes of Tammy Faye, which he scored with rays of…
