• Bandcamp Interview,  Composer Series,  Interviews,  Movies/Entertainment

    Interview…Paul Haslinger on Electronic Soundscapes, Subtext, and Scoring Processes

    If you were around in the ’80s, few things defined “cool” like music did. And, film fan or not, the top of that list is most likely going to be Tangerine Dream: the German electronic music outfit who dominated airwaves and theaters with their cutting edge electric sound. One key member of that ensemble pushing the electronic side of the band was young Paul Haslinger who joined up with them after their big hits like Sorcerer and Risky Business. Bringing a younger video game sensibility, he helped change the course of their sound for the better and contributed plenty including scores to Near Dark, Miracle Mile and Three O’Clock High.…

  • Composer Series,  Interviews,  Movies/Entertainment

    Interview…Composer Alex Heffes on the Fun, Feverish and Flavorful Score to ‘Mafia Mamma’

    Alex Heffes is a Golden Globe, BAFTA and 3 x Ivor Novello nominated composer who has scored over 70 feature films and TV projects. He has worked with many of cinema’s top filmmakers including Kevin Macdonald, Steven Frears, Catherine Hardwicke, Mira Nair, Tim Burton & J J Abrams. His unique ability to collaborate with artists from different cultures has been been a trademark of his style. He collaborated closely with Burton on his screen adaptation of Sweeney Todd and Heffes’ solo album, FACE TO FACE, features collaborations with artists such as the late Ryuichi Sakamoto, Regina Spektor and Yasmin Levy. Notable TV projects include the 2016 award-winning reboot of TV…

  • Movies/Entertainment,  Trailers

    Sweet Trailer…’The Last Voyage of the Demeter’

    Vampires, like zombies, will literally never die. This latest Universal picture dives into the world of Bram Stoker’s Dracula with an ultra tense story that is actually just one chapter from the beloved literary classic. Essentially, it’s like Alien on a ship and that kind of claustrophobic setting always yields explosive results. This looks like strong steps for the studio to lean back into their classic horror properties and put their Dark Universe in the rear view. We’re gonna bet that this has the sea legs to make some waves in theaters. Additionally, it’s helmed by André Øvredal which also seems highly promising. Ahoy, mate. There be a blood moon…