It’s always delightful and refreshing when a film plays out against type and expectations. All too often we know how something will end well before the halfway mark. But in the case of Peter Hutchings’ romantic comedy, the film has enough twists and turns to keep things exciting and offer a handful of surprises. We sit with director Hutchings to talk about various aspects of the film adapted from the epistolary novel by Steve Almond and Julianna Baggott. One of the most interesting aspects of the production is how the team came up with an innovative framework for the film’s many flashback sequences. It feels appropriate to the conversational nature…