Today, we got to speak with super stylish saxophone wizard Colin Stetson. He’s made a name for himself with vast soundscapes and unnerving compositions in films like Color Out of Space, The Menu and Hereditary. He’s also got a new one coming next month from Hulu called Hold Your Breath where he similarly works his unsettling magic in an intimate, small-scale picture. But the topic du jour is the palette he crafted for the unbearably beautiful yet grotesque adaptation of the Japanese manga Uzumaki. Here are some notes from the official Milan Records press release about the show and the soundtrack. A captivating masterclass in psychological horror and obsession, Uzumaki…
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‘Hans Zimmer Live’ In Texas Is Big Beyond Words
World-renowned composer Hans Zimmer recently came to Texas with Hans Zimmer Live (or, simpler, HZL) and their stop in Ft. Worth rocked the house. Zimmer’s music is magical, soul touching and earthshaking. As one of the most powerful and influential figures in music, his band’s talent is eclipsed only by their diversity. It’s safe to say that their live show is like nothing else, and you can never truly capture the sound of the experience through headphones or a turntable. It bears repeating, but HZL is a one-of-a-kind concert, and one which runs the gamut of crowd-pleasing favorites, notable pop culture hits, and themes/tunes which truly mean a lot to…
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Interview…Andy Timmons: The World’s Smoothest Guitarist
This year has been a great year for us in terms of interviews. We consider ourselves lucky to be able to talk with so many people we admire, and we’re constantly surprised by the stories our guests share. So before we get started, here’s a question for all you music fans: Who’s your favorite guitarist? The answers will vary for sure, but there are some usual suspects – Clapton, Vai, Slash, Johnson, Mars, Vaughn, etc. Today’s interview is focused on someone who leads the pack because of his playing style, his versatility, but also his consistency. Andy Timmons has a ton of fans, and one thing you’ll see among all…
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G-S-T Review…’Beetlejuice Beetlejuice’ is Gravely Funny
People complain about sequels, but let’s get this out of the way. Beetlejuice Beetlejuice is good. Beetlejuice Beetlejuice works. And that’s because the story works. It’s a semi-charming set up – replete with familiar Burton oddities – about a bio exorcist who is less than charming. The story by Alfred Gough and Miles Millar cleverly weaves older characters back into the sequel, and the best thing the team does is that they don’t try to explain too much. The ghost with the most has endured because he is mysterious. What are his powers, why and how does he do what he does? Unclear. Do we care? Not really. The point…
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Interview…Catherine Grieves on Music Supervision and ‘Baby Reindeer’
Growing up on a healthy diet of No Doubt and ’90s era music, Catherine Grieves was unknowingly charting her course to the field of Music Supervision. Cat was also thinking about music in those terms anyway; she’d always wanted to be the person who chooses songs for Match of the Day, aka the world’s most famous football show. While it didn’t seem a tenable career path, she followed her musical interests (playing flute and piano and singing) before getting a degree in Sound Engineering. The need for music supervision on TV and film in the UK increased, and Cat got an internship at the time more BBC productions were trying…
