People complain about sequels, but let’s get this out of the way. Beetlejuice Beetlejuice is good. Beetlejuice Beetlejuice works. And that’s because the story works. It’s a semi-charming set up – replete with familiar Burton oddities – about a bio exorcist who is less than charming. The story by Alfred Gough and Miles Millar cleverly weaves older characters back into the sequel, and the best thing the team does is that they don’t try to explain too much. The ghost with the most has endured because he is mysterious. What are his powers, why and how does he do what he does? Unclear. Do we care? Not really. The point…