There’s a lot to love about Tina Romero‘s Queens of the Dead. In fact, the list is almost as long as the receipt for the sequins and shoes purchased by the costume department. That’s written in playful jest, but the number of topics that present themselves in her feature length debut deserve a round of applause for boldness, cohesion, conviction, and execution (in story and in zombie kills). What sounds like a ludicrous idea on paper turns out to have a lot of heart, and the relationships in Tina‘s film are just as strong as those in her legendary father’s work nearly sixty years ago. The set up is unconventional,…