2022 has been a thrilling year for cinematic experiences, and one of the most exciting times we’ve had was with David Leitch’s Bullet Train. Federico and I were excited about it when we discussed our most anticipated films, but man did it deliver! Films these days tend to pander and not stray too far from sequel/prequel territory and it’s so good to get an original IP like this (and I bet the book is even better!). It’s just a fun time in the theater. What was thrilling enough to watch on screen only marginally outshines the auditory journey on this white-knuckle actioner starring Brad Pitt. Composer Dominic Lewis has a…
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G-S-T Review…’Bullet Train’
Going to the movies should give you all the feels you’re looking for. When seated in a darkened theater, it should be exciting, and a source of entertainment you can’t get anywhere else. These days, with new content at your fingertips any day of the week, a narrative really needs to move the mercury to grab your attention. Well, look no further than David Leitch’s Bullet Train. Adapted from the novel of the same name by Kōtarō Isaka tells a story of a group of assassins who find themselves on the titular locomotive. Little by little (and dead body after dead body) we find out the who, the why and the WTF. The movie, having heavy doses of action and hand-to-hand combat, is a surefire knockout, and the…
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Interview…Elliott Wheeler on Baz Luhrmann, Austin Butler and the Music of ‘Elvis’
Baz Luhrmann’s Elvis hit theaters last month and as far as biopics go, it was one for the ages. In fact, you can’t have a film about “The King” without going over-the-top theatrically, stylistically or musically. It’s one of the best films we’ve seen in a while. Moreover, it should continue to prove that going back to the theater is anything but mundane – it is an event! The film finds Luhrmann reuniting with long time-collaborator, Elliot Wheeler, to help bring Elvis Aaron Presley’s music to the modern masses. After developing a shorthand with Luhrmann on The Great Gatsby and The Get Down, Wheeler returns with a unique dual role as both composer and executive…
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Interview…Joseph Trapanese on Chamber Music, Cellos, and Choir in ‘Spiderhead’
One of the busiest film musicians out there has to be Joseph Trapanese. Let’s call him “Joe.” Joe is a composer. These days, Joe is happy. In fact, he’s very, very happy. And why wouldn’t he be? He’s one of the most sought-after magic makers and has a brilliant track record working on huge films with megastar directors. In Netflix’s Spiderhead, Joe reunites with director Joseph Kosinski (with whom he previously worked on TRON: Legacy, Oblivion, and Only The Brave). Aside from working closely with his good friend Joe K – we’ll call him “other Joe” – Mr. Trapanese had the unique opportunity to get away from the music that…
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Interview…Director Greg Björkman on Love, Loss, and Second Chances in ‘Press Play’
How many times have we wished we could replay a moment in our life to do over? Would it be for ourselves, or the benefit of someone else? What if it was as easy as pressing Play? In Greg Björkman‘s new film – his directorial debut – we get to find out how that might work. The film is propelled by some wonderful, impressive and effective acting from Clara Rugaard (I Am Mother) and Lewis Pullman (Top Gun: Maverick) and their chemistry really sells the story. We sat with Greg to talk about mix tapes, taking chances as a director, and trusting actors to deliver what they think is right…
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‘Toy Story’ in Concert with The Dallas Symphony Orchestra
In a symphony setting usually known to perform the works of Ravel, Stravinsky, and Bach, who would’ve thought seeing Toy Story in concert would be so enthralling? Well, film fans for one. But actually, what Randy Newman did for that very ambitious animated property (which Pixar debuted in 1995) has gone on to delight people all over the world. So, like the film itself, his music is a huge draw. People are likely more familiar with “You’ve Got a Friend In Me” and “I Will Go Sailing No More” than the score for the film, but through the Pixar in Concert series, symphony halls have been showcasing the tremendous effort…
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Interview…Jasha Klebe on the Freedom and Found Sounds of ‘Queer As Folk’
Jasha Klebe is a composer known for emotive melodies and impactful scores. Most notably, Jasha co-scored the BAFTA and Emmy nominated music of BBC’s Planet Earth II, alongside Hans Zimmer and Jacob Shea. He additionally provided music to the follow up series, Blue Planet II, as well as wrote the Emmy nominated music of National Geographic’s Challenger Disaster: Lost Tapes. Jasha also composed the score to Netflix’s 2015 Oscar-nominated documentary, Winter on Fire: Ukraine’s Fight For Freedom and National Geographic’s, Diana: In Her Own Words. Jasha began his musical career at the age of 5, singing at his Grandparents’ opera house, Cinnabar Theater, in Petaluma, CA. He studied classical piano…
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Podcast Review: Baz Luhrmann’s ‘Elvis’
Well now lawdy, lawdy, lawdy, Miss Clawdy! 2022 has been an such amazing year for film, and more importantly cinematic experiences…and we’re only at the halfway mark. We’ve seen the return of The Dark Knight, Top Gun and now The King of Rock ‘n’ Roll. It’s safe to say that going back to theaters is an event again (thank goodness!). Further, seeing Elvis on the big screen is one of the most exciting times you’ll have this year. It sure was for us. Baz Lurhamann‘s long-awaited biopic is headlined by Austin Butler who dons the titular icon’s shoes (and jumpsuit). He delivers the goods and then some! The King casts…
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Interview…Composer Frederik Wiedmann on DC Superheroes, John Barry and the Sound of Animation
Emmy-award winning Frederik Wiedmann is one of the most diverse and cultivated composers working in motion pictures today. With over 140 titles to his name in all realms and genres, Wiedmann has established himself as insightful artist with an enduring passion for storytelling. Wiedmann has been inspired by film composition since he first heard John Barry’s score to Dances With Wolves at the age of 12. Wiedmann is the composer behind the hit Disney Junior show Miles from Tomorrowland, as well as the critically acclaimed Netflix animated fantasy series The Dragon Prince, which is from the writers of the popular series Avatar: The Last Airbender. He’s also written music to…
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Interview…Voice Artist Tim Burden on The Legacy of John Williams, Live Orchestras, and La-La Land Records
One of the joys of running this site is that, over the years, we’ve made friends and colleagues in the journalism and entertainment industries. And it’s extra special when you’re able to bond over common interests. In this case, we are happy to know a very experienced and devoted film score fan by the name of Tim Burden. We interviewed Tim years ago, and got to know all about his work championing film music, as well as his other pursuits in the arts. It all started with a discussion about his father, the legendary London Symphony French Horn player, John Burden. We love diving back into our old interviews from…
