On October 30th, Snowstar Records will release a very special album by Remy van Kesteren. The renowned harpist composed and produced an alternative soundtrack to The Red Turtle – the 2016 movie from Studio Ghibli – made by Dutch animator, director and illustrator Michael Dudok de Wit. This album is the first solo harp album by Remy van Kesteren as well, and De Wit even made the artwork for the album and wrote liner notes specific to this release. Earlier this month, we spoke to Remy to get info and insight on his passion project. The album is a serene and hypnotic showcase of his talents which transport the listener…
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Interview…Genevieve Vincent on ‘The Broken Hearts Gallery’ and Charting Her Own Musical Course
Earlier this month, we got to have a wonderful chat with composer Genevieve Vincent about her work on film music, concert music, and as music producer. She most recently completed scoring the Sony romantic comedy The Broken Hearts Gallery and Moving Art “Hokkaido” for Netflix for which she wrote a Japanese inspired orchestral hybrid score. Born in Vancouver, BC, based in Los Angeles, Vincent studied the Suzuki violin method, and was a student of The Royal Conservatory of Music in Vancouver. She went on to attend Berklee College of Music where she graduated with a dual major in Film Scoring and Composition and studied privately under concert music composer Alla Elena…
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Interview…Alexander Bornstein on Transformers and the Sounds of Cybertron
Alexander Bornstein is an award-winning composer currently based in Los Angeles. His music can be currently heard in television, independent films, feature films, web series, and documentaries. Alexander has also been at the forefront of new multimedia platforms such as composing music for Doug Liman’s Invisible, one of the earliest series produced for virtual reality. Recent works include First to the Moon: The Journey of Apollo 8 and additional music for numerous TV series including The Boys and Lost in Space. He is currently scoring the upcoming Netflix Original Anime Series Transformers War for Cybertron Trilogy: Siege. Over the years, Alexander’s work has brought him through major music studios including…
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Interview…Composer Joe Trapanese Talks Orchestration and Composition of Tron: Legacy, Oblivion, The Raid and Lady and the Tramp
This year, Tron: Legacy celebrates turns 10, and a huge part of that film was the amazing music from Daft Punk – it was the duo’s first film score and quite an endeavor for all involved. The combination of electronic and orchestral music seemed like a long shot, but if anyone could stick the landing, it was probably them. Truth be told, they had help from a young Joseph Trapanese and Bruce Broughton as well as two years to collaborate and work their magic. As far as we’re concerned, the world is a lot better with that music in it. So in this installment of our podcast series – one…
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Interview…Composer Paul Leonard-Morgan on High Energy, Cyberpunk, and Philip Glass
Over the years, we’ve spoken to lots of people in the entertainment business, and neither our good friend Bryan Kluger (of BoomStickComics) nor myself have met many individuals with the all-out energy and enthusiasm that Paul Leonard-Morgan exudes. No joke. The Scottish composer is a delight to speak with and you can tell he doesn’t just love his job…he realllly loves it and that comes through in how he describes his process (using analog synthesizers), his projects (Disney Test Track at Epcot Center and Limitless), and his collaborators (Alex Garland, Mark Romanek). He loves life, cares for everyone, has great taste in film and scores, and he even coined a catchphrase…
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Interview…Composer Joseph Stephens on Danny McBride, HBO’s The Righteous Gemstones, and “Misbehavin'”
This week, we got to hang out with North Carolina-based multi-instrumentalist, film score composer, and songwriter Joseph Stephens. He’s got a lot of experience in TV and film and one of the gems in Stephens’ in his crown is the a little ditty called “Misbehavin‘” otherwise known as the most unlikely of upbeat bangers featured in The Righteous Gemstones, HBO’s breakout series from series creator Danny McBride. Stephens is the composer behind the show and has worked with McBride many times; their relationship goes back to their college days. Stephens composed and co-wrote the original song with McBride and Edi Patterson (who both star in the series). The twangy, fun-loving song…
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Interview…Composer Mark Isham on Jazz, Frank Darabont, and ‘Little Fires Everywhere’
Seasoned composer Mark Isham (pronounced I-sham) has one of the most diverse and prolific careers in film and television. With a background in jazz, and proficiency with trumpet and piano, Isham has scored innumerable titles and given a incredible flair to each of his projects. His latest works graced with his musical muscle is Hulu’s familial drama Little Fires Everywhere. Taking inspiration from the narrative, Isham’s themes mirror the duality of the interweaving characters (from two vastly different worlds). Even the main theme represents the delicate and sometimes violent interactions between lead characters played by Reese Witherspoon and Kerry Washington – what starts out prim and proper soon segues into…
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Interview…Composer Michael Abels on Get Out, Us, Bad Education and The Shags
Music is an intangible element in film, TV, and video games. Many times, a score, theme, or even a few notes is asked to deliver the emotions that either a story or character lacks. Granted, that’s the worst case scenario. But when both the narrative and music work in harmony, it can yield the some legendary cinematic experiences. Submitted for your approval are a handful of those: Lawrence of Arabia, Taxi Driver, Blade Runner, Inception, and, for you horror fans, 2019’s Us. Recently, we spoke with composer Michael Abels about his craft. Abels got the bug for music with those three famous notes from The Sound of Music. After that,…
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Interview…Gareth Coker on the Score to ‘Ori and the Will of the Wisps’
Gareth Coker grew up playing video games, and has a true knack for writing music which services the gameplay. It mainly comes down to his number one rule: composers have to play they game they work on. In our hour-long discussion, we chatted about his early days playing piano, the hundreds of hours spend devouring numerous games, and how the story (not necessarily the music) makes certain titles so impacting. Coker made a name for himself with the 2015 mega hit Ori and the Blind Forest. The success of this phenomenal Metroidvania style game was half attributed to Coker’s bold, lush, and wondrous score. The 2020 follow-up is just as…
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Interview…Composer Scott Bomar on the Funky Soundtrack to ‘Dolemite Is My Name’
When Dolemite Is My Name came out last year, it blew everyone away. And how could it not? It had Eddie Murphy in the lead role, the story was charming, heart-warming and hilarious, it featured amazing costume design from Ruth Carter (she won an Oscar for Black Panther), and the grooviest soundtrack you could ask for. Having grown up in the ’70s, Memphis-based musician Scott Bomar knows this sound well. With a combination of horns, mean guitar riffs, a well-placed harmonica, and one funky clavinet, he weaves a magical tapestry of soul over Craig Brewer’s film. As fans of the film and the score, we were thrilled to speak to…
