If you’re a fan of soundtracks and film scores, the team at Mondo has you covered. They take great pride in crafting physical media, they produce vinyl with audiophiles in mind, and they also care about the packaging. Like a lot! In fact, their slipcases have just as much detail as their amazing posters. Yet the cool thing about their albums is that the team gets to do way more than silk screen their work on foil variants. Albums give these artists/creatives a smaller yet more complex canvas than a poster and the team tries their darnedest to use every square inch (inside and out) to tell their story. The…
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Interview…Composer Nathan Johnson on Harpsichords, Travelogues and ‘Glass Onion’
For those of you needing a classically clever whodunnit to add to your cinematic plate this holiday session, look no further than Rian Johnson’s Glass Onion. The next installment in Benoit Blanc mystery series is whip smart, hilarious, exquisite and layered…you know, like an onion. Herein, Johnson and company outdo everything in their last detective yarn. Bigger stakes, bigger laughs, bigger onions – it’s an exceptional outing! Every element just sings, and again Rian enlists his cousin Nathan Johnson to write a fitting score to accompany the masterful story. While subsequent yarns in the series are meant to be stand-alone events, the further adventures of the Kentucky-fried character required Johnson…
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Music Review…’The Batman’ Is A Ballet of Brooding, Brains and Brawn
There’s a lot to love in the music of Michael Giacchino. He’s been to space, he’s been lost on an island, he’s been to the moon, far from home, he’s been up and inside out, and when it comes to modern composers, he’s the right one to let in if you want to get to the heart of the story. On that note, this film marks his fourth time collaborating with Matt Reeves, and what a team they have made over the years. The Batman finds him exploring new ground, well, for Reeves that is; Giacchino is all kinds of familiar with a superhero sound. But the world of dark…
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Music Review…Mondo Brings ‘The Matrix Resurrections’ to the Real World
Many years ago, while pondering his place in the world, a man once asked a very timeless question: “Why, oh why didn’t I take the blue pill?” Yes, the character of Cypher (played by the incomparable Joe Pantoliano) is very much like all of us. Life threw him a choice, and after choosing a path he’s not sure it’s the right one. Buyer’s remorse if ever there was a cinematic equivalent. And I’m sure we all feel that when a film just doesn’t move the mercury for us. Similarly, we probably wish we could take steps to remake our choice. Last year, we got to plug back into The Matrix…
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Interview…Composers Zach Robinson and Leo Birenberg on Music, Metal and Mayhem in ‘Cobra Kai’
You want to become a master of kicking ass in a musical soundscape? It’s easy! Just remember these three simple rules: Strike first, strike hard, show no mercy. Well, whether it’s sweeping the leg, or nailing a face-melting guitar/saxophone solo, our guests today can certainly tell us about their path to be the best…around. It takes time, talent, patience and a good amount of networking. Earlier this year, we spoke with composer Zach Robinson and had a blast getting to learn about his musical journey. Today, Zach is back as well as the other half of the sonic dojo that props up the Cobra Kai TV show. The duo have…
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Interview…Junkie XL on the Mondo Box Set of ‘Zack Snyder’s Justice League’
It’s been a while since we chatted with Tom Holkenborg (aka Junkie XL), and boy how his career has soared. It wasn’t enough to follow George Miller to the ends of the ear and destroy the sonic landscape with such raw and powerful drums. As an artist, he had to push farther, and we’re so glad he did. His signature blend of rhythms – a style that comes from deep down in his DNA – can be heard in all his scores no matter how far apart they seem on the surface. Are we saying that Mad Max: Fury Road, Mortal Engines and Sonic the Hedgehog are the same? Yes.…
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Music Review…’Spider-Man: Miles Morales’ Swings and Soars on Vinyl
Erich Wolfgang Korngold once said that “music is music whether it’s for the movie theater or the concert hall or a video game.” We might have paraphrased a little at the end, but he’s right. Moreover, it’s long been understood that a good video game score can help make any game memorable. It can also have a wondrous life outside the pixelated adventure as well. Today’s music review focuses on Mondo and Hollywood Records’ vinyl release of the soundtrack to Spider-Man: Miles Morales. However, before we dig in, here’s a sliver of transparency: this review was done as a stand-alone listening experience. I’ve not played a Spider-Man game since the…
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Interview…John Powell on ‘Solo’, John Williams, and A Long Time Before A Galaxy Far, Far Away
British composer John Powell began his career in the advertising world writing music for commercials. Growing up in a musical family, you could say it was in his blood and it wasn’t long before he left the jingle world and headed to Los Angeles after being recruited by Hans Zimmer. While there, he worked on titles like The Prince of Egypt and The Road to El Dorado before being groomed for his first big solo outing: Face/Off. Talk about making an entrance. Powell came out swinging – to match the ballet of bullets and boat chases in the John Woo actioner – but he also gave the film lots of…
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Music Review…’Avengers: Infinity War + Endgame’ Behemoth Box Set
Alan Silvestri is one of our very favorite composers, and his contributions to film are nearly unparalleled. When it was announced that Mondo and Hollywood Records would be releasing the complete scores to Infinity War and Endgame on vinyl, the only thing better than that would be to have the Time Stone so we could actually get it sooner – good news is that it was well worth the wait. We are thrilled to review this box set as Silvestri’s music spins on our turntable, and, trust me, these albums are not to be missed! One of the reasons we love Silvestri’s work is that he has an absolute knack…
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Interview…Composer Scott Bomar on the Funky Soundtrack to ‘Dolemite Is My Name’
When Dolemite Is My Name came out last year, it blew everyone away. And how could it not? It had Eddie Murphy in the lead role, the story was charming, heart-warming and hilarious, it featured amazing costume design from Ruth Carter (she won an Oscar for Black Panther), and the grooviest soundtrack you could ask for. Having grown up in the ’70s, Memphis-based musician Scott Bomar knows this sound well. With a combination of horns, mean guitar riffs, a well-placed harmonica, and one funky clavinet, he weaves a magical tapestry of soul over Craig Brewer’s film. As fans of the film and the score, we were thrilled to speak to…
