Last year’s horror anthology V/H/S (our review from IFFBoston ’12) may only be half a good movie, but it wound up being an exciting experiment even though it didn’t live up to its full promise. Two hours of horror embodied in a succubus, a slasher, demonic possession, aliens, and killer lesbians sounds like a great concept for a midnight movie on paper, and it remains such even in practice; the problem with V/H/S was the utter lack of craft or thought put into several of its segments, which yielded an uneven movie that worked in fits and spurts but with no real consistency beyond how ugly the entire picture looked.…
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[IFFBoston Review]…The Way, Way Back
If there’s one problem with The Way, Way Back, it’s that it takes about twenty minutes to find its groove. In that span of time, we’re kept in the company of unpalatable characters ranging from mostly terrible adults to mostly petulant teens, while our anchor in the setting, the painfully awkward protagonist, Duncan (Liam James), remains staunchly introverted and passive toward the world around him. We should feel sorry for the kid right away, of course, except that he does nothing but mope and squint through the torment of being on summer vacation in Marshfield, MA with his mom, Pam, (Toni Colette) and her obnoxious boyfriend, Trent, (Steve Carell); he’s…
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[IFFBoston Review]…The Spectacular Now
If The Spectacular Now, director James Ponsoldt’s follow-up to his 2012 sophomore effort, Smashed, can be described in a word, it’s “candid”. Of course, there are many other words well-suited for conveying the film’s numerous positive qualities- sweet, funny, insightful, vital, bold, and even original- but contemporary coming-of-age dramedies usually don’t bother with being this frank about their subject matter. Ponsoldt, however, isn’t one to move sideways around his material and instead plows into it head-on, weaving a narrative that flows with ease between moments of tenderness, drunken juvenility, love, heartbreak, and straight-up shock without ever feeling inauthentic or forced. Teenage fare this genuine is a rare thing indeed. How…
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Interview…’Graceland’ Writer/Director Ron Morales
Writer/director Ron Morales’ Graceland is a gripping and all-too-real feeling story of a kidnapping gone wrong. Ron’s work is very limited but his sophomore feature Graceland is so well-crafted and engaging you’d think he’d culled this from a lifetime of working in the film business. Before making his debut film Santa Mesa (with Melissa Leo) Ron had been working in the industry (in the camera/electrical department and as a key grip) for about 13 years and it’s likely he’s picked up a more than a few things watching/working on high profile films like Spider-Man 3, Michael Clayton and The Departed. His passion project Graceland, shot entirely in his home country of the Philippines,…
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[DIFF Review]…Sweetwater
Set in the American Old West, Sweetwater is a story of one woman’s vengeance against a religious extremist (Jason Issacs) who claims himself a prophet, and the town that allows him to rule with tyranny. After Sarah’s (January Jones) husband goes missing a chain of events eventually lead her to take justice into her own hands. With a little help from an eccentric sheriff, played by Ed Harris, whose brilliant performance is something everyone will be talking about, she may just get her revenge. The film is set in New Mexico sometime in the 1800s. We are first introduced to Sarah (Jones) and her husband Miguel (Eduardo Noriega), as a…
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[DIFF Review]…Between Us
Between Us deals with the harsh realities that exist in friendships, love marriage and life that are rarely depicted in films. Director Dan Mirvish, co-founder of the Slamdance Film Festival, adapted the film from an Off-Broadway play by Joe Hortua. The film revolves around the lives of Carlo (Taye Diggs) and Joel (David Harbour), two friends who first met in art school, and moves between present moments and flashbacks into the past where we are introduced to Joel and his wife Sharyl (Melissa George) as they are hosting Carlo and his new wife Grace (Julie Stiles) at their large home in the Midwest. At this point we learn Joel and…
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[DIFF Review]…Diving Normal
Character-driven narrative feature Diving Normal that tells the story of a love triangle that occurs when two unlikely friends fall for the same girl. The film is an adaptation of the critically acclaimed play of the same name, and centers around the lives of Fulton and Gordon (played by Philipp Karner and Scotty Crowe, respectively, who also produced and co-wrote the adapted screenplay with playwright Ashlin Halfnight). Fulton and Gordon are an odd pair; Fulton is an adorable, successful graphic novelist who has no problem attracting attention from the ladies, despite (and maybe slightly because of) brief moments of insecurity, and Gordon is his sweet, yet extremely socially awkward neighbor…
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[DIFF Review]…A Teacher
While A Teacher may appear on the outset to be a typical tale of the inappropriate student/teacher relationship that has become all too familiar due their sensationalized media coverage, writer/director Hannah Fidell takes an in-depth, psychological approach, asking the audience to ponder the inner workings of a mind capable of such a taboo. The film begins in medias res, though Fidell chooses not to fill us in on how a lonely teacher named Diana (Lindsay Burdge), and her student Eric (Will Brittain) who epitomizes what every teenage boy is really like, confident and carefree as if invincible, ignorant to the hard truths of the world and therefore naïve to the…
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‘Willow Creek’ Gets An Amazing Poster
Let’s keep this short and sweet since it’s the end of the day: I might not love all of Bobcat Goldthwait’s films (I found God Bless America to be pretty repugnant despite being really, really well-crafted), but he’s an incredibly magnetic and interesting character and an exciting filmmaker. So it stands to reason that I’m pretty much guaranteed to see Willow Creek, his next picture, which happens to be premiering at this year’s Independent Film Festival of Boston. There’s really no way I can say no to kismet of that variety. But wait- there’s more. Willow Creek shows Goldthwait stepping outside his wheelhouse of dark, uncomfortable, comedy blended with social commentary- at least, that’s…
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[DIFF Interview]…’PIT STOP’ Writer/Director Yen Tan
Gabe (Bill Heck) struggles with his identity as a gay man living in a small, rural Texas town, finding comfort in his relationship with ex-wife Shannon (Amy Seimetz) after his recent breakup. Ernesto (Marcus DeAnda) is also plagued with the demons of a failing relationship, as he is simultaneously forced to deal with another past lovers impending death. Pit Stop follows the lives of these two men as they unknowingly drift toward one another, demonstrating the way life often has a funny way of pointing us in the right direction, even in the moments we feel most lost. Go, See, Talk chatted with Pit Stop writer/director Yen Tan about his writing process, collaboration, and filming…
