Based on the true story of screenwriter Tony Briggs’s family, and adapted from the 2004 stage production, about an Aboriginal girl band, The Sapphires is set in 1968 Australia, when racism was prevalent, causing the girls talent to go unnoticed. That is until they meet Dave Lovelace (Chris O’Dowd, Bridesmaids), a local Irishman who happens to play piano accompaniment at one of the venues where the girls perform. O’Dowd is hilarious and loveable as the eccentric Lovelace, and his performance is a highlight of the film through comic relief and O’Dowd’s undeniable charm. Dave sees something in the girls that the town refuses to notice due to the racism that exists within the community. Dave quickly appoints…
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[AFF Review]…Hyde Park On Hudson
Hyde Park on Hudson recounts the royal visit of King George VI (who you may remember from Colin Firth’s portrayal in The Kings Speech, depicted here by actor Samuel West), and Queen Elizabeth (Olivia Colman) to Hyde Park from the perspective of Daisy Suckley (Laura Linney), who at this time has recently become FDR’s (Bill Murry) mistress. Unbeknownst to Daisy, she’s not the only secret Roosevelt is keeping. The screenplay is based on actual events discussed in diary entries and letters that belonged to Daisy. The correspondence was found after her death, and the affair she had kept a secret for most of her life was finally revealed. The royal…
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[BFI London Film Festival Review]…No
Gael García Bernal stars in Pablo Larraín’s third film to reflect on the brutality of the Pinochet regime in Chile during the almost twenty years they were in power. No, examines the inner workings of war propaganda, and is based on the real-life ‘No Campaign’ against Pinochet, that was established during the 1988 referendum. Once Renè is hired to work on the campaign, he quickly does away with the stories of sorrow and bitterness the opposition has made their focus, and replaces them with jingles, advertising clips showing joyful scenes of ‘happy’ people, and a logo that consists of a large rainbow along side the word ‘no.” The campaign proves…
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[BFI London Film Festival Review]…Ginger & Rosa
Sally Potter’s incredible film explores aspects of female friendship from the perspective of 17-year-olds Ginger (Elle Fanning) and Rosa (Alice Englert, daughter of director Jane Campion), as they attempt to navigate their way through adolescence during Cold War, 1960’s Europe. Ginger and Rosa epitomize the rebel, Beatnik culture of the 60’s; they even dress the part, and their determination not to become their mother’s, both aging housewives who have been left by the men who once loved them, is a nod to the changing times, as well as one of the many aspirations that serve to bond the two girls. At first this bond appears as though it may never…
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[BFI London Film Festival Review]…Midnight’s Children
Over thirty years after the novel’s publication, Salman Rushdie’s film adaptation of his Booker prize-winning novel has come to fruition. With so many years of waiting and anticipation, the film has a lot to live up to, and the complicated nature of the book is a challenging body of work to attempt to fit into 148 minutes of film. Rushdie wrote the screenplay with Oscar-nominated director, Deepa Mehta, resulting in a whimsical interpretation of an epic tale with beautiful imagery and magical powers that gives the story a fairytale quality. The problem with this approach is one that is common in films with story lines spanning several decades, it often…
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[Fantastic Fest Review]…Tai Chi Zero
Editor’s Note: To coincide with its limited release staring on October 19th, we’re republishing our Fantastic Fest review of Tai Chi Zero. Have you ever found yourself wondering “what would a film look like if you threw Street Fighter II Turbo, Scott Pilgrim Vs. the World, Shaolin Soccer and Red Cliff in a blender?” Well if so then you’re in luck because Stephen Fung has just that hybrid combination to offer us at the 2012 Fantastic Fest. A highly stylized period piece it shows its fondness for manga and video games that at times overshadows the story since the gimmick gets old. Still it’s really fun at times and the pick me…
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5 Films We’re Looking Forward To At The Austin Film Festival [AFF]
I’ve spent the last year covering independent films both at festivals and from my Netflix queue, and the ones I’m always most moved by are those that explore the many layers of our relationships with one another. Whether we’re family, friends or lovers, relationships are immensely complex, and if I may summarize a quote from an advertisement I recently saw in the tube in London, while love doesn’t make the world go round, it does help make the ride worthwhile. There are so many films being made that counter the typical Hollywood, idealized version of our relationships, and instead present the audience with something real. In anticipation for the kickoff…
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Austin Film Festival [AFF] Opens Today! (Some General Tips For Attendees)
The 19th Austin Film Festival and Conference starts today, and the schedule is packed with eight days of films, lectures and parties that you won’t want to miss. Anyone who’s been to a film festival knows it can be a bit overwhelming to navigate. As a festival connoisseur in the making, I thought I’d share a few of my own tactics with you to help you prepare. ———————————————————————————————————————————————————– 1. Make a Schedule The Austin Film Festival website has created this wonderful, printable calendar of all the events including time and venue, so they’ve made it really easy for you to stay organized. Start by printing this out, so you won’t…
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[Fantastic Fest Interview]…’Sinister’ Director Scott Derrickson and Writer C. Robert Cargill
It’s been a long standing and understood notion that it is getting tougher and tougher to scare movie goers. Sometimes however, a film comes along which takes us by surprise and really give us chills. Not jump scares mind you, or excess for the sake of excess, but legitimately scary sequences that stay with us long after leaving the theater. One such film that fits the bill is the brainchild of on C. Robert Cargill and director Scott Derrickson. The duo knows their stuff and getting away from purely trite hack/slash horror that populated the 80’s, they offer not only an ultra tense ride that is pure nightmare fuel, but tangible characters…
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[Fantastic Fest Interview]…’Antiviral’ Writer/Director Brandon Cronenberg & Star Caleb Landry Jones
David Cronenberg…it’s likely you know the name, and if you do then you know what it means. Synonymous with weird, wild and WTF, his films (Scanners, The Fly, Naked Lunch) are incredibly well-crafted, albeit tough to understand at times. Sometimes, in the case of something like Videodrome, his message can be unsettlingly prophetic. But now there’s a new kid in town carrying the wonky torch for the family, oneBrandon Cronenberg and if you’ve seen his film Antiviral (check out our review!) then you know the apple doesn’t fall far from that creatively warped tree. Brandon makes his feature film debut as both writer and director. His film, Antiviral, is a dark and eerie satire on society’s obsession with celebrity that…
