From the novel by A. M. Shine (we aren’t even going to pretend we’ve read, or even heard about this before the film), this story blends a good amount of quasi mythological elements with horror tropes. It consistently builds in ways you don’t see coming. And twists? Yeah there are a few…so the source material certainly sounds ripe for Blinding Edge Pictures to do their thing. And off we go. Forget all you know, or think you know. Going into The Watchers, you might need to take a step back. Sure, this is a “Shyamalan” film, but Ishana’s, not M. Night. Strip away all pretense, and familial ties, and this…
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Interview…Kay Hanley and Tom Polce on Bringing Melodic Magnificence to ‘Star Trek: Strange New Worlds’
Hey there, score fans. If you’re like me, the first property you think of when someone says “musical” is probably not Star Trek. Well, you’re not wrong, but thanks to the efforts from the dynamic duo of Kay Hanley and Tom Polce that’s gonna change. These two seasoned musicians have outdone themselves with the sing-song soundtrack that, as far as those characters who boldly go, really changes everything. Episode 9 in season 2 of Star Trek: Strange New Worlds made waves in TV as the first full musical episode in franchise history. Cleverly named “Subspace Rhapsody,” the story puts the crew of the USS Enterprise and others in this universe…
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Interview…Composer John Paesano on the New Sounds of ‘Kingdom of the Planet of the Apes’
When a film score hits the right notes, and propels the narrative in film, TV, video games or even a short, the results can be absolutely breathtaking. Sure, we all expect the sound that composers craft (guided by the picture or from conversations with the director) to do the heavy lifting, but even when it stays out of the way, as they say, timing is everything. And what ace composer John Paesano does to the above-mentioned properties has the ability to get us invested in such a short amount of time with a single key, a full symphony, or just plain silence. From a young age, Paesano knew film music…
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Exclusive: Interview…Kirk “Sticky Fingaz” Jones on ‘Darkness of Man’
While doing press for James Cullen Bressack’s new movie, Darkness of Man, starring JCVD, we had a bucket list opportunity to speak to a musician who popped up on our radar decades ago. Known to the masses as “Sticky Fingaz”, Kirk Jones is part of Onyx, and their explosive music and hard-hitting lyrics have stayed in our head rent-free since 1993. Over the years, they’ve rapped with some of the best including Wu-Tang Clan, DMX and many others. But Jones has expanded his reputation going solo, he’s gotten into acting, and directing films & videos. He’s even played Blade. Yeah, this dude is dope. Sticky has learned a lot over…
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Interview…Director James Cullen Bressack on ‘Darkness of Man’
Doing interviews for this site is a lot of fun. So many of them have stuck in my head for a variety of reasons whether it was the witty banter, unexpected hilarity, great life lessons, or some other unique and intangible takeaway. If luck works out we get a follow-up with any particular creative for their new project, be it a film, show, score, album, etc. So enter one James Cullen Bressack, a young writer/director who is about as self-made and humble as they come. He’s also got a wonderful personality and he sees films from a different perspective. He makes lean pictures, and there is a real fun to…
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Interview…Composer Chris Benstead on the Worlds of Guy Ritchie
When a composer and a filmmaker find a groove, the results are a seemingly never-ending well of material. Suffice to say, the best partnerships are far more than just one note. Pun intended! Filmmakers whose work spans multiple genres – war, action, fantasy, crime, all of the above – need a sound that suits the story. There are several long-standing director/composer partnerships out there and one of the more recent noteworthy pairings is the one-two punch of Guy Ritchie & Chris Benstead. We’ll be completely honest here: one of our very favorite (if not all time favorite) director is Guy Ritchie. A legend now, he blew people away with his…
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Interview…Composer Gareth Coker on Worldbuilding, Melody Writing and Quiet Moments in ‘Ark’ on Paramount+
The last time we spoke to composer Gareth Coker, we had a lot of fun learning about his early days in music, and the exceptional work he did for the pair of Ori games from Moon Studios. This time, nearly four years to the day, we had him on the podcast to talk all about Ark: The Animated Series on Paramount+. An adaptation of the wildly popular game (and its expansions), ARK has to be played, watched and lived to be fully experienced. Suffice to say, this show takes liberties with its condensed story, yet in so doing retains core elements and gives the devoted gamers lots of what they’ve…
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Interview…Composer David Fleming on Danger and Discovery in ‘Damsel’
Every once in a while it’s fun escape into a popcorn fantasy film, and something with a sword or two and a dragon are usually sure to please. In this case, Juan Carlos Fresnadillo delivers in all categories all the while offering a tale you thought you had seen before. With Netflix’s Damsel, he puts a spin on the “princess in distress” framework to make Millie Bobby Brown the hero of her own story. Then again, just looking at the album artwork below, you could probably figure that out. To elevate and enhance the story, composer David Fleming was brought in to give Juan Carlos’ story literal wings. His work…
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Interview…Composer Julia Newman on Technique and Timing in ‘FEUD: Capote vs. The Swans’
Sometimes you can meet a person and the way they look at life, their experiences, or just a few choice words can change the way you think about things. Having conducted over 200 composer interviews – each with unique stories from the industry – this particular podcast was one for the books for a number of reasons. We spoke with Julia Newman about her work on the second season of FEUD on FX. Most of the session was spent talking about life, her time in school, family ties to the industry and the valuable connections and foundation she’s made for herself. But mere minutes into the session (even before hitting…
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Interview…Composer Andrew Kawczynski on Collaboration, Inspiration, Huge Films and Dream Jobs
Where does inspiration come from? How much influence does it have on you? And how does it help any creative get their work across the finish line? These are questions every artist has, and the answers can be wildly different. We interview a lot of composers and everyone has uniquely different stories, yet there is one constant we continually find baffling: they never have any time. On this episode of The GoSeeTalk Podcast Experience we spent more than an hour with seasoned composer Andrew Kawczynski. Last year, he and Lorne Balfe produced the adrenaline-fueled, head-nodding score to Gran Turismo. If you thought young Jann Mardenborough was in for a rough…
