Sacha Gervasi’s Hitchcock tells the story behind the making of the 1960’s horror flick, Psycho. Beyond that however, it uncovers a story behind the film, and behind the man himself. Some synopses refer to John Mclaughlin’s script as a love story, and this is certainly one aspect that exists within the multi-layered plot. Alma is the wife of Alfred Hitchcock. She is also a writer, producer and sometime-director, and according the film, the final say behind every script that Hitchcock turns into a film. It is Alma’s notes that he eagerly awaits on the set of Psycho, Alma who saves the movie when Hitchcock gets sick and shooting is three days…
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G-S-T Review…Life of Pi
Editor’s note: GoSeeTalk is trying something new with this review of Ang Lee’s Life of Pi. Since there’s so much to enjoy Marc and Bill split up the review to focus on its two greatest strengths. Bill addresses the narrative structure/success of Life of Pi while Marc tackles praising its technical/visual achievements. In Ang Lee’s latest film Life of Pi, an impressive adaptation of Yann Martel’s popular novel of the same name, a young man, Pi (Suraj Sharma), who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor…a fearsome Bengal tiger. Though the premise of Life of Pi might…
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G-S-T Review…Rise of the Guardians
Thinking about Rise of the Guardians, Dreamworks’ latest offering, I can’t say for sure whether Pete Ramsey mixed a heart-warming, energetic childrens’ film with a story of secular subversion or vice versa. Most likely, it’s the former; there’s little doubting that Rise of the Guardians exists first and foremost to entertain and dazzle theaters full of tykes and adults alike with impressive panache. In that respect, the film succeeds in overwhelming fashion, boasting a bright, colorful visual palette and a much-improved style of animation while giving its world life through excellent voice casting. (If, of course, your concept of Santa Claus involves Jack Donaghy’s Russian half-brother.) Put simply, there’s no denying that the…
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G-S-T Review…Silver Linings Playbook
The most startling thing about Silver Linings Playbook is its complete embrace of being unhinged. A film that revolves around mental health issues should feel unpredictable, even if people stubbornly want to shoehorn the film into the romantic comedy genre. Let me be clear here, then, that I never felt Silver Linings fell into that genre. In fact, it doesn’t play fair. This isn’t a neat film. When Jennifer Lawrence’s Tiffany is introduced to Bradley Cooper’s Pat, we see his gaze drift to her breasts ever so casually. When he looks up, we see recognition in her eyes. She doesn’t admonish him there, but later we understand this attention isn’t uncommon for her nor unwanted. Which is…
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G-S-T Review…Red Dawn
Here we are again with a cult classic which has been subjected to a remake almost three decades later. If you were a child of the 80’s or at least a fan of 80’s movies, then you have probably seen Red Dawn (1984). That film was rife with actors on their way to stardom. Fast forward to 2012 and here we are with a more modern version of the movie modified to fit the times. Rather than Russia invading the U.S. we have North Korea. There are a myriad of other changes in an effort to modernize the film and cater to the shorter attention span crowd of our society…
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G-S-T Review…The Twilight Saga: Breaking Dawn – Part 2
Brace yourselves Twilight fans, it all comes down to this. No more brooding, no more long awkward affectionate stares or lip-biting. This final installment gives fans the climactic showdown between the Cullens and Volturi they’ve been patiently waiting for (well, kind of). Suffice to say nothing in the series has been more thrilling or satisfying than this. This final installment also finds Bella, with baby in tow, joining the Cullen clan in the way she believed herself born to live, as a full on vampire. There’s less focus on Bella’s former life (sorry fans no Anna Kendrick and co here) as the story moved with long strides to meet, head on, the Volturi…
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G-S-T Review…Lincoln
Abraham Lincoln is considered by historians to be one of the best, if not the best, President of the United States of America. It is only fitting that one of the best directors of our time takes the helm on Lincoln. Most audience members that wander into Lincoln will already be aware of the events that transpire throughout the course of the film. We know what the outcome of the movie will be, because it is history. However, the joy is in the journey as you are thrust back into an explosive time rife with turmoil and change. Lincoln is ripped from the pages of history, meticulously reenacted and then…
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G-S-T Review…Skyfall
Even after 4 years, Quantum of Solace still leaves a rather bland taste in mouths of Bond fans (though much of the flat reception the film was met with can be chalked up to the writer’s strike). As such, Bond would have a lot of making up to do in his next outing. But thanks to another solid turn from Daniel Craig, a fantastic cast to play opposite, great story, music and all of this under the artistic eye of Sam Mendes, Skyfall is not only one the franchises’ best installments but easily sits among the likes of the most beloved Connery films. Sounds like lofty praise but really it earns and…
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G-S-T Review…Holy Motors
There’s no easy way to evaluate a film like Holy Motors after a single viewing. That’s why I watched my screener copy twice. Of course, I still feel somewhat behind the eight ball as I try in earnest to write my review, but in my own defense it’s worth noting that I’ve never seen anything like Holy Motors before in my life. (Continuing in that vein: I’d wager that there are more critics who share my position than not.) In fact, the film is so unique, original, and rampantly weird that calling it a new entry in surreal cinema feels like an observation of family resemblance and nothing more. How…
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G-S-T Review…Wreck-It Ralph
Should you manage to see Wreck-It Ralph blind and with no knowledge of its source of origination, you might be inclined to credit the film to Pixar. And while that wouldn’t be an unreasonable guess, you’d be wrong. Ralph has all the bearings of Pixar at its finest, yet Rich Moore’s first feature length effort comes to us from none other than the Mouse House itself. Arriving six months after the release of Brave, Ralph gives weight to the theory that both animation studios are just blurring together more and more in the wake of Pixar’s acquisition by Disney in 2006. If that strikes anyone as a bad sign for creativity, then the news that Wreck-It Ralph happens to…