How many times have we wished we could replay a moment in our life to do over? Would it be for ourselves, or the benefit of someone else? What if it was as easy as pressing Play? In Greg Björkman‘s new film – his directorial debut – we get to find out how that might work. The film is propelled by some wonderful, impressive and effective acting from Clara Rugaard (I Am Mother) and Lewis Pullman (Top Gun: Maverick) and their chemistry really sells the story. We sat with Greg to talk about mix tapes, taking chances as a director, and trusting actors to deliver what they think is right…
-
-
Interview…Voice Artist Tim Burden on The Legacy of John Williams, Live Orchestras, and La-La Land Records
One of the joys of running this site is that, over the years, we’ve made friends and colleagues in the journalism and entertainment industries. And it’s extra special when you’re able to bond over common interests. In this case, we are happy to know a very experienced and devoted film score fan by the name of Tim Burden. We interviewed Tim years ago, and got to know all about his work championing film music, as well as his other pursuits in the arts. It all started with a discussion about his father, the legendary London Symphony French Horn player, John Burden. We love diving back into our old interviews from…
-
Interview…Alex Billington on Journalism, Film Festivals, Photography and FirstShowing.net
For many of us, our interests and passions run deep, don’t they? After all, we should know because GoSeeTalk is more than a hobby. Since 2009, it has become a way of life because it gets me closer to my first love which is film. Now from that standpoint, take a look at the landscape of web-based film fans and most anyone running a blog about cinema. From the biggest outlets to the smallest niche site, ham-and-eggers and pros stand on even ground to pursue/proclaim their love of movies in almost equal measure. For the past 13 years, we’ve been giving you devoted readers “the highs and lows of the…
-
Interview…Riley Stearns on World-Building and Personal Touches in ’Dual’
To some, the idea of living forever, or at least cheating death, can seem like a curse. But think about a world where you can continue living free of life-threatening illnesses or similar catastrophes. Well, to clarify, it’s not you who takes a licking and keeps on ticking. We’re talking about a clone. And this duplicate is a living, breathing individual who begins to make their own life (interests, thoughts, preferences) the moment carbon starts to cool. Now your fate is sealed, but this new version of you will be around simply for the sake of your loved ones. Quite a freeing concept, huh? But when told through the lens of Riley Stearns, things…
-
Interview…Music Supervisor Cody Partridge on TV, Film and ‘Letterkenny’
Here’s a fun diversion. Take a movie, any movie, and skip to the end credits. These days, a ton of people work on any given project, and yet very few of them get the “credit” they deserve. Why? Well, I’d posit that many people have no idea what some of those titles mean. What’s a key grip? Answer: they set up the lights. Well, what’s a best boy? Answer: they help the key grip. There’s all sorts of trades who contribute but one of the more nebulous out there deal with audio. So, Marc, what’s with all this preface? Just tell us who we’re going to hear from. Ok, then,…
-
Interview…Legendary Music Promoter Dave McLean on ‘Schemers’
How could you chronicle the life of a person? Like, their whole life? Well, that’s a trick question because it is literally impossible. Still though, you can try to sum up their life – either through a series of career highlights or character building sequences. But what if you have several of those? And I mean SEVERAL. Then you have your work cut out for you, and you’re talking about the one and only David McLean. Mr. McLean has literally lived music from a young age, and this Scottish entrepreneur is about as self-made as they come. For close to 50 years, he’s worked with/managed/promoted some of the biggest musical…
-
Interview…Aneil Karia on Riz Ahmed and ‘The Long Goodbye’
What’s more powerful: words or actions? Usually it’s the latter, yet in the case of Aneil Karia and Riz Ahmed’s brilliant and sobering short film, the former shines ever brighter and clearer. The Long Goodbye is a personal statement from the two above-mentioned entertainers, and an incredibly pointed narrative. Just a mere 11 minutes, and you are thrust into a world of experiences that many social groups have had to endure for generations. To say this is powerful doesn’t give it enough weight. But simply, it does the job because it is true. Karia uses sharp visuals – mostly editing and natural light – to convey an accurate portrayal that,…
-
Interview…Martin Strange-Hansen and Kim Magnusson Discuss the Loss and Weight of ‘On My Mind’
How often do we listen to the lyrics of a song? And I mean really listen. Sometimes the poetry the artist spent so long crafting gets lost in the car, or speakers, but maybe it’s because we aren’t ready for the weight of the message. Other times, our lives don’t correlate to the words. But what about when it does? It usually results in a couple people (for whatever the reason or message) saying, ”that’s our song!” So why this particular intro? No, we’re past Valentine’s Day, but there is still love in the air, and it’s two-fold. First is a heartfelt short film about a man who wants nothing…
-
Podcast: 2021 Recap – Films, Scores and More!
Hi everybody. Well, we’re completely out of 2021 (whew!) and as we march forward into what the future of cinema holds, let’s take a quick look back to what impressed or depressed us in the last twelve months. On today’s show, I’m again joined by my compadre, my Consigliere, my caballero, Federico Furzan. Together, we run down the best & worst of 2021 as well as our favorite films, film scores, and anticipated features hitting screens in the coming months. How closely do the picks of these two high-flying film friends with low standards align with one another? I guess you’ll have to check out the episode to find out.…
-
Interview…Director Tim Kirkby on Subtle Humor and Colorful Casting in ‘Last Looks’
When it comes to entertainment, there’s a certain school of thought that things belong on boxes – the easier it is to identify something, the easier is it to understand and sell it. So we have genres. But when stories mix certain elements, and make bold choices, the narrative becomes stronger and keeps the audience on its toes. Case in point. When someone says “detective story”, one might think Sam Spade or Jake Gittes. Well what if you throw in eccentric characters, against type casting and pepper the whole affair with a certain British flair and some ’70s era pizazz? Now you’re getting something unique, entertaining and unexpected. So that…
