Next month, the San Diego Symphony will put on a live–to-picture performance of Galaxy Quest, the classic sci-fi comedy from 1999 starring Tim Allen, Alan Rickman, Sigourney Weaver, Sam Rockwell and Tony Shaloub. What’s that you ask? Why would a symphony play the music to a comedy? Well, two reasons: One, it’s really great music to a really fun film. Two, it’s really great music written by David Newman. These days, orchestras know they have to inclusive – they can’t be exclusive – and there’s no benefit to being closed-minded. Orchestras used to just play the same canonical works, but now they have really embraced the popularity and the artistry…
-
-
Interview…Mo Shafeek on Mondo’s Marvelous Vinyl Releases
At Mondo (the Austin-based boutique poster and music label), Record Label Production Manager, Mo Shafeek, is responsible for plenty of vinyl soundtracks and film scores you probably spin regularly. Shafeek is a veteran of company, a die-hard film fan and can wax poetic about anything horror, indie, or pop-culture related in the same breath. He’s also just one of two (two!) people producing and releasing a staggering amount of albums in any given calendar year. While 2019 celebrates the end of Marvel Studios’ eleven-year cinematic journey with Avengers: Endgame, Walt Disney Records and Mondo are starting something new. Both companies are working together to release a select number of exclusive…
-
A Decade Full of Memories: The Life and Times of Go,See,Talk!
Hey, GST fans. Today is a special day in Internet history. I’m proud to share with you that it’s been a full decade since I started this site! For this anniversary/editorial post, I wanted to write more than a catch-all piece recapping highlights from the previous year. Well, there is some of that below, but I hope this look back can also offer a way forward – tips along with lessons learned – for aspiring film journalists or hobbyists like myself. In a way, I’m speaking to me in 2009, and on that note, I can’t help think of Christopher Lloyd’s famous line from Back to the Future, “My God. Has…
-
Interview…Film Music Composer Andrew Morgan Smith on the Score of ‘You Might Be the Killer’
Andrew Morgan Smith is a veteran film music composer who has scored over twenty feature film and television projects. In the last five years, he has scored more than forty-five projects across all media. He has also worked with and provided additional music for Nathan Furst, the composer of Act of Valor and Need for Speed. Smith studied film composition under composer David Newman (Tarzan, Ice Age, Galaxy Quest, The Sandlot), and orchestrator Jack Smalley (Last of the Mohicans, The Mothman Prophecies, The Limey) at the 2010 Aspen Music Festival. As a multi-instrumentalist, he was classically trained in both composition and music media at the University of Louisiana at Lafayette. Smith…
-
Interview…Production Designer William Eliscu on Art Direction and Graphics for Film and TV
To those of you who may not know this, I am a licensed interior designer and have made a career working for design firms in the hospitality market. As much as I love the site, GoSeeTalk is just a hobby. I’m a designer, and as designers, we create art. More specifically, functional art. We craft experiences for hotel visitors who can interact with a physical environment. In similar respects, production designers, art directors and the like do the same, only they take audiences on a visual journey. Among the many things we have in common, we’re devoted to contrivances like mood and atmosphere which aid in storytelling. Scan through the…
-
G-S-T Review…Rogue One: A Star Wars Story
After four decades, it’s possible that some Star Wars fans probably didn’t expect significant new yarns could be spun in the universe they love so much. Well, with Rogue One, Gareth Edwards and company crafted the mother of all lead-ins to that tale which took place a long time ago. That’s right. In case you hadn’t heard, Rogue One happens right before Episode IV. So it’s a really bold move leaning a modern story up against the crawl that started it all. While the prequels are something that (increasingly, and over time) many fans wish hadn’t happened, there are some redeeming elements to those films. As such, Rogue One serves…
-
Off the Shelf…Disney’s ‘Zootopia’
Disney’s latest Blu-Ray offering is something that feels classically Disney, yet has the awareness and modernity of something like the studio’s frigid Princess pic. Zootopia trades ballgowns and musical numbers for a sweet-natured but surprisingly adult story. Sure it gets a candy coating, thanks to the conceit of a civilized mammalian populus, but while not intended as a straight-up comedy, this cuddly whodunnit is an all-out laugh fest. We loved it in the theaters, and this is just a blast at home; now we can go frame by frame to take in all the grandeur of the flora and fauna directors Byron Howard, Rich Moore, Jared Bush, and their team crafted. It’s a delicious…
-
Interview…Brian Tyler on Taking Big Hollywood Sound to the Concert Hall
Brian Tyler has been composing bombastic themes for Hollywood blockbusters for nearly two decades. But as his sound is nearly everywhere these days, you’d think he’d been at the forefront of adrenaline fueled music for a lot longer than that. There’s a lot to be said for Tyler’s prolific output; he’s a household name and Brian has amassed quite the hit list. Part of our reason for talking to Brian this time around was to talk about this next stage in his career. Don’t worry, he’s not giving up scoring actioners, but he is putting more focus on his music project Madsonik and his upcoming live concert feature with the…
-
G-S-T Review…Zootopia
You really have to give Disney a hand for getting back in the animation game. Thanks to hits like Wreck-It Ralph, Frozen, and last year’s Big Hero 6, Disney is once again a major force in the industry. Change is inevitable, and as things go, producing features using drawn animation could only have lasted so long. CGI powehouse Pixar hit their stride long ago, but now it is the Mouse House who is seemingly ahead of the curve when it comes to pixels and the digital arts. As the studio has come in and out of greatness, one thing has been constant – they are fantastic storytellers who are able to draw in…
-
Exclusive: Director Matt Schrader Offers A Look Into ‘SCORE: A Film Music Documentary’
Have you ever wondered why certain film scores stick in your head? Have you ever found yourself humming the bars from Jaws, more terrified by John Williams‘ iconic two-note motif than the (robotic) shark which hunted Roy Scheider and the citizens of Amity Island? So much of that has to do with the craft, and, moreover, the creative skill of the composer. For example, how easily can you recall the theme to Back to the Future?…that was Alan Silvestri. Your kids love the infectious sound/songs of Frozen?…then thank Christophe Beck. You ever imagine yourself as the Caped Crusader and instinctively hum the theme to Batman or The Dark Knight?…give Danny Elfman and Hans…
