January 18th came and went without much critical or commercial fanfare for Ji-woon Kim, the first of three South Korean directors to break into the American studio system this year*; that’s sort of a king bummer, at least in part because The Last Stand, his half self-aware, half self-serious, respectably actiony Arnold Schwarzenegger vehicle, deserves to be more of a hit than its paltry $7.7 million box office take will allow. (You may recall that we had a lot of fun with the film ourselves.) But mostly this is sour news because Kim’s a great filmmaker, and nothing would be more disappointing than seeing him shunned out of the States…