Good news for Americans traveling abroad: you no longer have anything to fear from suspicious, secretly vicious locals. Now you just have to watch out for cataclysmic natural disasters and falling debris, which conveniently bring out the bloodthirsty maniac and paranoid xenophobe in everybody. Basically, if traveling to another country seemed dangerous before, it’s even moreso now, but that’s only because Aftershock has no idea what kind of movie it wants to be, or even how to be it. Is it about Americans being menaced in a foreign land, or is it about how much mankind lives at the whim of shifting tectonic plates? Either way, it’s not particularly good, so it…
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G-S-T Trailer Round-Up: Drive Blue, Pain & Bay, and Apocalypse
The Mayans may have been wrong about the end of the world, but don’t worry– the Go, See, Talk! Trailer Round-Up is here with two visions of Armageddon to slake your thirst for wanton destruction. Of the pair, the first isn’t a literal Ragnarok, but rather a localized catastrophe that devours an entire city; then again, when your film is set against a backdrop of explosions, crumbling buildings, and rapidly rising social anarchy, maybe that counts as the wholesale destruction of a cinematic world. Either way, Aftershock looks harsh, nasty, and bonkers in all the right ways, though I’ll take bets on how long Eli Roth actually survives in the film (and on…