Life-long musician and composer Stuart Michael Thomas has amassed over 100 feature film and television credits during his time in Hollywood including international blockbusters such as Mission Impossible: Dead Reckoning Part 1, Iron Man 3, and The Dark Knight. He was also one of the featured guitarists on Top Gun: Maverick. Imagine getting to shred out that theme for the world to enjoy. Yeah, that’s just one of Stuart’s many super cool stories about his “day job” working on these sensational projects. Over his 20-year career he’s developed a unique and versatile style blending elements of Classical orchestration with modern techniques resulting in a sound that is both timeless and…
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Interview…Composer Jeff Danna on Strings and Texas-sized Tension in ‘The Hunting Wives’
Here at GoSeeTalk, composer Jeff Danna‘s music has a history of living rent-free in our heads. From TV to films, projects whimsical and fun to those with a very heavy-handed subject matter, his unique approach to melody and themes never ceases to amaze us. Moreover, it’s his selection of instruments that takes those compositions to another level. He first popped up on our radar all the way back in 1999 when he crafted a gritty and driving sound to a tale about two Irish brothers. The supercharged music helped Troy Duffy’s The Boondock Saints reach legendary cult status. Over the years, Jeff has paved his way in entertainment circles, and…
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Interview…Dominic Lewis & Hamilton Leithauser On the Intro Song to ‘Your Friends & Neighbors’
If you visit this site somewhat regularly, it should be news to no one that we love music, specifically theme music for film and television. We also love chatting with composers, songsmiths and performers about their work. As such, we had a blast speaking with Dominic Lewis & Hamilton Leithauser who tag-teamed the superb melody and lyrics for the song in the opening credits of Your Friends & Neighbors on Apple TV+. This mini-series about misdemeanors, mischief, misdirected hostilities and marital troubles is, even in a fictitious sense, proof that what glitters is not always gold. Nobody’s life is perfect and it’s fair to say you never truly know your…
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Interview…Theodore Shapiro Breaks Down the Music and Method of ‘Severance’ Season 2
Season 2 of Severance on Apple+ upped the ante and stakes on everything that Season 1 gave us. We got more characters, more mystery and more twists and turns than Chutes and Ladders. Suffice to say, it was weird and wild and we want to see how deep this rabbit hole really goes. And more waffle parties, please. One of the standout elements helping this dense and sophisticated story resonate is, literally, the sound palette. Composer Theodore Shapiro rejoined this ensemble to expand his catchy four-chord tune and adapted it to this season’s new narrative pathways. He was not afraid to get abstract, and even dove into specific sound design…
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Interview…Composer Carlos Rafael Rivera on Piano, Guitar, Teaching and the Sounds of ‘Dept. Q’
Over the years, we’ve become increasingly fond of TV shows for a few reasons. One of which is pretty obvious: we get more time with characters we love. Their arc can be spaced out as the story tops and tails. But another more satisfying reason is that the music can get the same amount of space. Many times, it can find room to evolve and change with the narrative. So let’s look at one such property where the music played an incredibly important role in the production. The Queen’s Gambit was a captivating series whereby the lush musical score captured our imagination, got the heart racing and made chess pretty…
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Interview…Composer Paul Leonard-Morgan is Dreddfully Good at Creating Musical Chaos
Composer Paul Leonard-Morgan provides a pulse-quickening backdrop to his latest project, Netflix’s documentary Chaos: The Manson Murders. His score weaves swirling orchestral instrumentation and rock elements with throbbing synthetic beats and drones that punctuate the intrigue of conspiracy unraveled in the film. We spoke to Paul in 2020 and since then, he’s been super busy. When we say he’s done a lot, we mean A LOT! His work always impresses us, and this one is a high point for sure. Like most features, providing music for a documentary is a task that should be careful not to crowd or overwhelm the dialogue. Yet with this project, director Errol Morris wanted Paul…
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Interview…Harry Gregson-Williams on the Vocals, Violence and Variety in ‘Gladiator II’
As film score fans, the only thing we love more than revisiting our favorite scores is when a sequel happens and a composer gets to take the themes into new territory. As such, our guest today has expanded not only his own work but many other composers’ efforts. Scan through the site, and you’ll see that we are very fond of Harry Gregson-Williams, and it’s always a treat catching up with him to talk shop. While any acoustic endeavor might be intimidating, how could one even start thinking about working on a sequel to Gladiator?? It’s a perfect film that resounds to this day, and that goes double for its…
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Interview…Volker Bertelmann on the Comfort and Chaos Between the Quiet Moments in ‘Conclave’
One of the best films of 2024 is Conclave, and it will certainly top many critics’ top 10 lists. It’s a quiet narrative that doesn’t have a lot going on on the surface, but that’s the beauty of Edward Berger‘s film: what you don’t see is the most interesting part of the story. In a way, it’s very much like a duck whose feet are swimming feverously under the water to get to its destination. The film is utterly gorgeous – the sets, locations and costumes dazzle – and in a story about holy men serving an ideal, we get to see crisis of conscience, infighting and scheming behind the…
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Interview…Composer Aaron Zigman on the Compelling Compassion to ‘Six Triple Eight’
American composer and pianist Aaron Zigman has written more than 70 Hollywood film scores. Firmly established as one of Hollywood’s go-to composers, his film career was launched in 2000, when director Nick Cassavetes heard his work and asked him to collaborate on six films, including the romantic cult classic The Notebook, for which the composer’s score sold a record number of albums. Other box-office hits include Bridge to Terabithia, The Proposal, For Colored Girls, The Company Men, Wakefield,and the Sex and the City franchise. Similarly distinguished in television, Zigman has penned songs for shows including the popular series Fame and the Showtime TV movie Crown Heights, for which his setting…
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Interview…Composer Andrew Lockington on the Inspiration and Sonic Theatricality of the ‘Landman’ Series
Whether it’s a studio action film or an indie festival film, Composer Andrew Lockington‘s music demonstrates his approach to scoring each project in a unique way by finding a musical language to communicate the relationships and elements of the story that visuals cannot. Andrew’s commitment to pushing the boundaries of film scoring has inspired him to record in places such as the jungles of Papua New Guinea, the tropics of Costa Rica, an ancient temple in Northern Japan, a volcano in Polynesia, and an abandoned subway station beneath central London. His recent projects include the epic Sci-Fi feature Atlas starring Jennifer Lopez with longtime collaborator director Brad Peyton, as well as several…
