Erich Wolfgang Korngold once said that “music is music whether it’s for the movie theater or the concert hall or a video game.” We might have paraphrased a little at the end, but he’s right. Moreover, it’s long been understood that a good video game score can help make any game memorable. It can also have a wondrous life outside the pixelated adventure as well. Today’s music review focuses on Mondo and Hollywood Records’ vinyl release of the soundtrack to Spider-Man: Miles Morales. However, before we dig in, here’s a sliver of transparency: this review was done as a stand-alone listening experience. I’ve not played a Spider-Man game since the…
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Interview…John Powell on ‘Solo’, John Williams, and A Long Time Before A Galaxy Far, Far Away
British composer John Powell began his career in the advertising world writing music for commercials. Growing up in a musical family, you could say it was in his blood and it wasn’t long before he left the jingle world and headed to Los Angeles after being recruited by Hans Zimmer. While there, he worked on titles like The Prince of Egypt and The Road to El Dorado before being groomed for his first big solo outing: Face/Off. Talk about making an entrance. Powell came out swinging – to match the ballet of bullets and boat chases in the John Woo actioner – but he also gave the film lots of…
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Interview…Composer Will Bates and Director Mike Cahill Discuss ‘Bliss’
Will Bates is an award-winning composer, multi-instrumentalist and founder of music production company Fall On Your Sword. As a solo artist and multi-instrumentalist, Bates has recorded and toured around the globe. As a saxophonist, Bates has collaborated with legendary artists ranging from 60’s icon Lulu to techno legend Marshall Jefferson. Bates works frequently with director Mike Cahill, and the two weave mind-expanding narrative magic for TV and film. Cahill (Another Earth, I Origins) wrote and directed the new film, Bliss, which is being distributed by Amazon Studios and the soundtrack will be released by Milan Records. It tells the multi-layered story of a man whose life lacks purpose, and he…
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Interview…Ilan Eshkeri on Honesty and Hope in BBC’s ‘A Perfect Planet’
Ilan Eshkeri is an award-winning composer, artist, songwriter, producer and creator. We spoke with Ilan in 2015 (about 47 Ronin, Black Sea and The Snowman & The Snowdog) and were happy to catch up with him to discuss his process writing music for BBC’s A Perfect Planet. This new nature series is his fourth collaboration with legendary naturalist Sir David Attenborough. The bulk of this interview focuses on his efforts to write that music and the underlying idea of hope in many of the themes (we’ve included selections from his score below). Recently, Ilan and Ralph Fiennes completed their third film together – a biopic about Rudolf Nureyev, The White…
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Interview…Composer Zach Robinson on Synthwave, Musical Influences and ‘Cobra Kai’
Zach Robinson is an LA-based composer, music producer, and electronic musician. Since 2009, Zach has created 1980s inspired electronic music under the pseudonym D/A/D. His most recent album The Construct (2013) was named one of the best cassette releases of 2013 by NPR and received critical acclaim from numerous online publications including Pitchfork, Ad Hoc, and FACT Magazine. After receiving his degree in music composition from Northwestern University, Zach cut his teeth working with acclaimed film composer, Christophe Beck, writing additional music for films such as Ant-Man, Edge of Tomorrow, Frozen, Hot Pursuit, Sisters, and The Peanuts Movie. He most recently composed the score for Quibi’s action comedy Die Hart, starring…
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Interview…Composer Erick Schroder on Hulu’s ‘The Ultimate Playlist of Noise’
Acclaimed multi-instrumentalist Erick Schroder is a film, theater, and video game composer whose compositions have included works for vocal and instrumental soloists, choral groups, stage musicals, jazz, and orchestral ensembles. In the last decade, Erick has created music for over seventy-five projects. While attending University of Southern California’s prestigious Scoring for Motion Picture and Television program, Erick honed his composition skills under the guidance of Oscar- nominated Bruce Broughton, Emmy winner Frederik Wiedman, BAFTA winner Garry Schyman (Bioshock) and others. After the program, Erick went on to be mentored by Emmy and Grammy-winning composer James Newton Howard. He also worked alongside the Oscar-nominated John Debney and horror legend Christopher Young…
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Interview…Daniel Pemberton on Aaron Sorkin’s ‘The Trial of the Chicago 7’
UK-based composer Daniel Pemberton has such a distinctive voice, er sound, and his compositions never fail to leave us awestruck. The work he creates is as impacting as it is innovative. If that wasn’t enough, this multi-Golden Globe, Emmy and BAFTA Award-nominated musician has worked hand in hand with Ridley Scott, Darren Aronofsky, Guy Ritchie and other legendary directors. King Arthur: Legend of the Sword is lauded as a game-changer in the action genre and really put him on the map, Steve Jobs is a masterful progression of digital bits and beeps that segues beautifully into lush symphonic splendor, the Black Mirror episode, U.S.S. Callister, is a darkly memorable alt.…
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Interview…Amelia Warner Captures Irish Mysticism in the Score to ‘Wild Mountain Thyme’
Breakthrough neo-classical composer Amelia Warner is best known for her stunning soundtrack for the 2018 Irish-American film Mary Shelley. It won Amelia the ‘Breakthrough Composer of The Year’ at the International Film Music Critics Association (IFMCA) Awards in 2019, and a nomination in the ‘Discovery of the Year’ category at the World Soundtrack Awards. However, before anyone got to hear her musical gift, she had a career in acting as she followed in her mother’s footsteps. Yet the desire to stay out of the spotlight and dabble in composing took root and quickly flourished. Warner’s debut major scoring project was the British short film ‘Mam’ which won several awards on…
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Interview…Howard Blake Career Retrospective: The Avengers, Commercials, Ridley Scott, Queen and ‘The Snowman’
Truly great pieces of art and entertainment come along once in a generation. They are so expertly crafted, and are so well appreciated that they eclipse a label like “iconic” and, by doing so, become legendary. When that happens, we can be moved, inspired and forever changed by what we’ve witnessed as a culture, population or individual. Sometimes you don’t even have to be part of that time/era or culture to recognize and value the impact, the power and the reach something has. Case in point: Beethoven’s Symphony No. 9 in D minor, Babe Ruth calling his shot, even a quaint animated children’s story. If we lost you on that…
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Interview…Composer Guillaume Roussel on Reviving ‘Black Beauty’
The holiday season is a great time to get together (safely!) with friends and family. And while the theaters are hurting, there’s still plenty of content hitting streaming platforms that we can enjoy with one another. One such title is the Ashley Avis penned/directed revamp of the classic novel by Anna Sewell which premiered exclusively on Disney+ on November 27. Guillaume Roussel was tapped to bring a fresh sound to Black Beauty. His palette was predominately the piano, but he added to it with a plenty of instruments including a dulcimer and other folkloric sounds/motifs. The result is a warm, heart-felt score that also becomes a bit of a travelog…
