In a world of remakes and reboots, one property we thought we’d never see expanded or revisited was the universe of The Matrix. It was, and still is, a landmark film, one that raised the bar for filmmakers and the industry as a whole. A triple-kick of story, visuals and action, The Matrix was a high watermark for cinema. As the series expanded, the arcs of the three leads finished in a less than satisfying (or deserving) way, yet it still seemed the most logical and inescapable end. Fate? Perhaps. The third film culminates in an uneasy truce between humans and machines (and between programs themselves). More importantly it’s not…
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The Matrix Revisited: Composer Don Davis Reveals Secrets from His Score to Celebrate the 20th Anniversary of ‘The Matrix’
Editor’s Note: This post contains the introduction to an article I wrote specifically for The Hollywood Reporter. It was a great honor to work on a post about a film, and film score so dear to my heart. In this retrospective, composer Don Davis plugs back in to recall the lengths he took to satisfy the Wachowskis’ exacting vision. Click here to read the full article. Twenty years ago, The Matrix blew audiences away with its ground-breaking, generation-defining style. That was in tandem with substantive themes that were esoteric yet accessible. For every Hong Kong-styled wire fight, there was an equally engaging reference to Plato. One integral component to the success of…
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FourScore Match-Up #19: “It Don’t Mean A Thing If It Ain’t Got Them Strings”
This week Kenneth Branagh’s Jack Ryan: Shadow Recruit hits theaters and marks the 11th time he and that smiling Scottsman composer Patrick Doyle have worked together in the last 25 years. The film features an amazing arrangement of strings with such diversity and complexity it’s easily some of the best pensive spy music since David Arnold’s work scoring the Bond series. And seriously, no matter what country you’re from the stellar track “Ryan, Mr. President” may be the most swellingly patriotic theme you’ll ever hear. Doyle’s works have such dense richness that they give each film an almost mythical atmosphere. One thing is for sure, he just knows how to…
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FourScore Match-Up #2: "Have Guns, Will Travel"
Let the battle of the shoot’ em upers begin!! Today we have a film scores telling the tales of a tight-lipped French (but somehow playing an Italian) hitman, a life and death battle for the future of mankind (all played inside an overblown video game), the “how many more characters can you add to an already bloated and dragging plot line? overlapping story of the Feds vs the Mob (basically this a boring version of Snatch), and well the self-explanatory flick called Shoot Em Up (hmm, wonder what that’s going to be about?). But since we’re examining the scores all the flying bullets and big ass guns are only as effective as the music…
