Have you ever wondered why certain film scores stick in your head? Have you ever found yourself humming the bars from Jaws, more terrified by John Williams‘ iconic two-note motif than the (robotic) shark which hunted Roy Scheider and the citizens of Amity Island? So much of that has to do with the craft, and, moreover, the creative skill of the composer. For example, how easily can you recall the theme to Back to the Future?…that was Alan Silvestri. Your kids love the infectious sound/songs of Frozen?…then thank Christophe Beck. You ever imagine yourself as the Caped Crusader and instinctively hum the theme to Batman or The Dark Knight?…give Danny Elfman and Hans…
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Exclusive: Mo Shafeek Shares Stories as Mondo’s Record Label Production Manager
Mondo employees are a rare breed of cinephiles and artisans – chalk it up mostly to each of them having seen certain films way too early in their lifetime. Having watched those titles countless times, movies are not just a means of entertainment, they are part of their DNA. Who else could make/understand a “little too Raph” joke on a daily basis without missing a beat? In short, certain films defined their tastes for years to come. One such individual is Mo Shafeek. We got to speak to him for over an hour regarding his role as Mondo’s soundtrack production manager. Based in Austin, TX, the Mondo bunch (Mo included),…
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Exclusive: A Look Into the Mondo Creative Process and Preview of MondoCon 2015
Film fans around the globe are becoming increasingly aware of and familiar with the Alamo Drafthouse’s boutique poster label Mondo. What started out as a small Austin, TX based outfit has quickly become a major player in film circles for simply outstanding movie art – be it posters, vinyl soundtracks, or, recently, toys. While they have built brand awareness by producing a prolific and dizzying array of spectacular releases, Mondo is committed to two main goals: they seek to educate people about films as much as they want to celebrate them, but also, they aim to get film fans to see cinema the way they do. The Mondo team is a uniquely…
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Exclusive: Director Jorge R. Gutierrez, Composer Gustavo Santaolalla, and Reel FX Creative Team Explain Story, Music and Mexican Heritage in ‘The Book of Life’
Back in August, writer/director Jorge R. Gutierrez gave a small presentation to select local press outlets at Reel FX studios. While there, we got to hear all about his film – from its humble beginnings to the nearly finished product – which is a co-production between the Dallas-based animation studio and 20th Century Fox. Last month we posted an article about our exclusive tour of the Reel FX studio, as well as our 1 on 1 interview with Gutierrez and his team. This follow-up post will take a closer look at The Book of Life and explain the design of the film, give insight into the symbolism in the story, as well as touch on…
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Exclusive: Video Interview…’The Book of Life’ Creative Team – Jorge R. Gutierrez, Paul Sullivan and Augusto Schillaci
This Fall, 20th Century Fox and producer Guillermo del Toro will bring an animated film unlike any other to theaters. In advance of the October premiere, we got an exclusive tour of Dallas-based animation studio Reel FX. While there, we were treated to an inside look at the film (click here to read about our exclusive tour), and met with the amazing creative team behind The Book of Life. Sitting for this interview are (L to R) visual effects supervisor Augusto Schillaci, writer/director Jorge R. Gutierrez, and art director Paul Sullivan. They, along with the members of the incredibly talented animation team, are currently working to finish the film which…
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Exclusive: A Look Inside Reel FX and ‘The Book of Life’
Reel FX is a Dallas-based company that has seen their fair share of the commercial animation world. In the last two decades, they have lent their digital magic to a multitude of projects, both large and small. The company also maintains a Santa Monica location but the unassuming brick building here in North Texas houses a multitude of digital artists – ones well-versed in the field of computer animation. Founded 20 years ago, the company began doing service work and were one of the first to have the “Flame” software (their current circle logo is loosely based on that fact). Over time, their projects grew in size, as did their commercial…
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Exclusive: Interview (Part I)…’Ender’s Game’ Composer Steve Jablonsky
For more than a decade Steve Jablonsky has been composing riveting scores for some of Hollywood’s most bombastic blockbuster films. From the Japanese anime Steamboy (directed by legendary filmmaker Katsuhiro Otomo), to Michael Bay’s The Island and Transformers series to scoring no less than 4 feature films in 2013 alone, Jablonsky’s epic sounds have become a staple in the world of action films. Whether things are blowing up on the silver screen, the TV screen or in video games, Jablonsky is one of only a handful of go-to composers who consistently deliver diversity and complexity along with high energy themes. Originally focused on becoming a recording engineer, Jablonsky’s career as a film composer developed after assisting…
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Exclusive: Interview (Part II)…Film Composer Harry Gregson-Williams Talks Tony Scott, Hans Zimmer and His Career
A veteran of the film music world Harry Gregson-Williams has composed scores for more than 50 films including The Town, the Shrek series, The Chronicles of Narnia, and many, many others (including the Metal Gear Solid video game series), in addition to a slew of Tony and Ridley Scott films which make up a large portion of his career. In Part I of our exclusive interview we talked about his recent film The East and learned that the success and bulk of the score was less to do with him and more his assistant Halli Cauthery getting his big break on an amazing film. Harry was extremely open to this interview and touched…
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Exclusive: Interview (Part I)…Film Composer Harry Gregson-Williams Discusses Scoring ‘The East’
As much as we love films at GST, we love film scores just a little bit more. Zal Batmanglij’s amazing follow up to his stunning debut effort Sound of My Voice, The East resembles a smart ’70s styled throwback thriller that is smart, engaging and dripping with cool. One fine element in the cog of that brilliant machine is the score, well themes really, from the one and only Harry Gregson-Williams. I was extremely excited to take a phone call from Harry to talk about The East as well as his astonishingly diverse and accomplished career. This was an amazing hour long interview and because of the breadth of topics I…
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Exclusive: Interview (Part II)…Film Composer Brian Tyler
Welcome back for Part II of our exclusive interview with film composer Brian Tyler. Yesterday we posted the first half of our session with him and touched on his sensational scores to Iron Man 3 and Now You See Me (which opens nation-wide) today. So sit back and enjoy some more insights into the world of scoring film music (and video game music) courtesy of this uberly talented musician. ——————————————————————————————————————————- – Brian, you’re multi-talented as far as playing so many instruments but you also orchestrate and conduct, so you really do it all. Is it necessary to be so versatile in order to get a job these days or do you…
