The Killing Directed by: Stanley Kubrick Written by: Stanley Kubrick, Jim Thompson Starring: Sterling Hayden, Colleen Gray, Vince Edwards, Jay C. Flippen, Elisha Cook Jr., Marie Windsor Cinematography by: Lucien Ballard Music by: Gerard Fried Release: May 20, 1956 When you think of Stanley Kubrick, which of his many films come to mind? The Shining? 2001: A Space Odyssey? A Clockwork Orange? Perhaps Dr. Strangelove? If there’s a single common throughline linking each of these pictures together- though many might argue that there are many- it’s influence, as in the influence that his work has had on cinema as a medium from the 60’s going forward. Note, for example, how much impact The Shining had…
-
-
The Criterion Files: Kiss Me Deadly
Kiss Me Deadly Directed by: Robert Aldrich Written by: Mickey Spillane (story), A.I. Bezzerides (screenplay) Starring: Ralph Meeker, Maxine Cooper, Albert Dekker, Gaby Rodgers Cinematography by: Ernest Laszio Music by: Frank DeVol Release: May 18, 1955 “Va-va-voom! Pow pow!” Those words may encapsulate the masculine, grunting energy of Kiss Me Deadly, Robert Aldrich’s noir masterpiece, better than any of the film’s most striking images or its myriad other memorable lines of dialogue. After all, if you want to understand what makes Mike Hammer tick, you only need to look as far as the cars he drives; they’re the sleek, muscular sort of vehicles most men covet and can only dream of owning…
-
Off the Shelf…’Oldboy’
(Note: I’ve never made my love for Park Chan-wook’s Oldboy a secret, and I’ve never actually sat down and reviewed it in full. I’ve written pieces about it before, but only in context with what the movie means to me as a critic and cineaste. In light of my recent rediscovery of my love for Korean film, I’m going to correct that omission, so please enjoy this piece of effusive praise for what remains my all-time favorite movie.) Amidst its graphic violence, stunning visual palette, titanic performances, and vibrant, multi-toned soundtrack, the greatest pleasure of Oldboy lies in its enigmatic complexion. It is a masculine, macho thriller, a tragedy of…