Awards season is in the rear view and 2025 has had some great films so far. Among them is the hard-action film starring Jack Quaid. To pair with the fun on screen, Lakeshore Records announced the release of Novocaine—Music from the Motion Picture featuring music by the super skilled sonicsmith team of composers Lorne Balfe and Andrew Kawczynski. The score features authoritative orchestrations that vividly reflect the action and intensity of the film. Directed by Dan Berk and Robert Olsen and starring Quaid and Amber Midthunder, Novocaine hit theaters in their funnybone on March 14. The film is a callback to the great R-rated comedies of the ’80s and ’90s; it’s got the grit of a…
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Interview…Composer Paul Leonard-Morgan is Dreddfully Good at Creating Musical Chaos
Composer Paul Leonard-Morgan provides a pulse-quickening backdrop to his latest project, Netflix’s documentary Chaos: The Manson Murders. His score weaves swirling orchestral instrumentation and rock elements with throbbing synthetic beats and drones that punctuate the intrigue of conspiracy unraveled in the film. We spoke to Paul in 2020 and since then, he’s been super busy. When we say he’s done a lot, we mean A LOT! His work always impresses us, and this one is a high point for sure. Like most features, providing music for a documentary is a task that should be careful not to crowd or overwhelm the dialogue. Yet with this project, director Errol Morris wanted Paul…
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Interview…Harry Gregson-Williams on the Vocals, Violence and Variety in ‘Gladiator II’
As film score fans, the only thing we love more than revisiting our favorite scores is when a sequel happens and a composer gets to take the themes into new territory. As such, our guest today has expanded not only his own work but many other composers’ efforts. Scan through the site, and you’ll see that we are very fond of Harry Gregson-Williams, and it’s always a treat catching up with him to talk shop. While any acoustic endeavor might be intimidating, how could one even start thinking about working on a sequel to Gladiator?? It’s a perfect film that resounds to this day, and that goes double for its…
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Interview…Volker Bertelmann on the Comfort and Chaos Between the Quiet Moments in ‘Conclave’
One of the best films of 2024 is Conclave, and it will certainly top many critics’ top 10 lists. It’s a quiet narrative that doesn’t have a lot going on on the surface, but that’s the beauty of Edward Berger‘s film: what you don’t see is the most interesting part of the story. In a way, it’s very much like a duck whose feet are swimming feverously under the water to get to its destination. The film is utterly gorgeous – the sets, locations and costumes dazzle – and in a story about holy men serving an ideal, we get to see crisis of conscience, infighting and scheming behind the…
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Interview…Composer Aaron Zigman on the Compelling Compassion to ‘Six Triple Eight’
American composer and pianist Aaron Zigman has written more than 70 Hollywood film scores. Firmly established as one of Hollywood’s go-to composers, his film career was launched in 2000, when director Nick Cassavetes heard his work and asked him to collaborate on six films, including the romantic cult classic The Notebook, for which the composer’s score sold a record number of albums. Other box-office hits include Bridge to Terabithia, The Proposal, For Colored Girls, The Company Men, Wakefield,and the Sex and the City franchise. Similarly distinguished in television, Zigman has penned songs for shows including the popular series Fame and the Showtime TV movie Crown Heights, for which his setting…
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Interview…Composer Andrew Lockington on the Inspiration and Sonic Theatricality of the ‘Landman’ Series
Whether it’s a studio action film or an indie festival film, Composer Andrew Lockington‘s music demonstrates his approach to scoring each project in a unique way by finding a musical language to communicate the relationships and elements of the story that visuals cannot. Andrew’s commitment to pushing the boundaries of film scoring has inspired him to record in places such as the jungles of Papua New Guinea, the tropics of Costa Rica, an ancient temple in Northern Japan, a volcano in Polynesia, and an abandoned subway station beneath central London. His recent projects include the epic Sci-Fi feature Atlas starring Jennifer Lopez with longtime collaborator director Brad Peyton, as well as several…
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Interview…Composer Wilbert Roget II Brings the Emotion and Excitement to Fan-Favorite Games and Properties
On today’s episode, we take a trip to galaxies far, far away, future Earths and adventures replete with robots and robust action. The visuals are impressive, but it’s the expansive score and sound engineering that really sucks us in. We were thrilled to speak to Wilbert Roget II about his work as composer, multi-instrumentalist, and music geek who, as far as we can tell, is living the dream. Roget has done more that dip his toe in fan-favorite and beloved properties; he’s done a back-flipping cannonball into the worlds of Mortal Kombat, Tomb Raider, Call of Duty and score fans are feeling the waves of his gargantuan splash. Now anyone…
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Interview…Composer Ilan Eshkeri on the Emotional Beauty of ‘Super/Man: The Christopher Reeve Story’
The story of Christopher Reeve is an astonishing rise from unknown actor to iconic movie star, and his definitive portrayal of Clark Kent/Superman set the benchmark for the superhero cinematic universes that dominate cinema today. Reeve portrayed the “Man of Steel” in four Superman films and played dozens of other roles that displayed his talent and range as an actor, before being injured in a near-fatal horse-riding accident in 1995 that left him paralyzed from the neck down. After becoming a quadriplegic, he became a charismatic leader and activist in the quest to find a cure for spinal cord injuries, as well as a passionate advocate for disability rights and…
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Interview…Composer Colin Stetson on the Musical Terror of ‘Uzumaki’
Today, we got to speak with super stylish saxophone wizard Colin Stetson. He’s made a name for himself with vast soundscapes and unnerving compositions in films like Color Out of Space, The Menu and Hereditary. He’s also got a new one coming next month from Hulu called Hold Your Breath where he similarly works his unsettling magic in an intimate, small-scale picture. But the topic du jour is the palette he crafted for the unbearably beautiful yet grotesque adaptation of the Japanese manga Uzumaki. Here are some notes from the official Milan Records press release about the show and the soundtrack. A captivating masterclass in psychological horror and obsession, Uzumaki…
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‘Hans Zimmer Live’ In Texas Is Big Beyond Words
World-renowned composer Hans Zimmer recently came to Texas with Hans Zimmer Live (or, simpler, HZL) and their stop in Ft. Worth rocked the house. Zimmer’s music is magical, soul touching and earthshaking. As one of the most powerful and influential figures in music, his band’s talent is eclipsed only by their diversity. It’s safe to say that their live show is like nothing else, and you can never truly capture the sound of the experience through headphones or a turntable. It bears repeating, but HZL is a one-of-a-kind concert, and one which runs the gamut of crowd-pleasing favorites, notable pop culture hits, and themes/tunes which truly mean a lot to…
