There’s a lot to love in the music of Michael Giacchino. He’s been to space, he’s been lost on an island, he’s been to the moon, far from home, he’s been up and inside out, and when it comes to modern composers, he’s the right one to let in if you want to get to the heart of the story. On that note, this film marks his fourth time collaborating with Matt Reeves, and what a team they have made over the years. The Batman finds him exploring new ground, well, for Reeves that is; Giacchino is all kinds of familiar with a superhero sound. But the world of dark…
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Interview…David Buckley on ‘The Sandman’ and ‘The Nice Guys’
Emmy nominated composer David Buckley is known for his versatility and prolific output. Having worked with some of the very best in the business, Buckley has been able to score a multitude of genres and projects including Universal’s Nobody starring Bob Odenkirk, Greenland starring Gerard Butler, Jason Bourne directed by Paul Greengrass and The Nice Guys for Shane Black and Joel Silver. Previous scores include the Joel Schumacher-directed thriller Blood Creek, Taylor Hackford’s action feature Parker and Rob Minkoff’s fantasy adventure The Forbidden Kingdom. For television, the hit Scott Free/CBS drama series The Good Wife and continues to score the spin-off, now in its sixth season, The Good Fight (for…
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Interview…Composer Dominic Lewis on the Multiple Soundscapes of ‘Bullet Train’
2022 has been a thrilling year for cinematic experiences, and one of the most exciting times we’ve had was with David Leitch’s Bullet Train. Federico and I were excited about it when we discussed our most anticipated films, but man did it deliver! Films these days tend to pander and not stray too far from sequel/prequel territory and it’s so good to get an original IP like this (and I bet the book is even better!). It’s just a fun time in the theater. What was thrilling enough to watch on screen only marginally outshines the auditory journey on this white-knuckle actioner starring Brad Pitt. Composer Dominic Lewis has a…
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Interview…Elliott Wheeler on Baz Luhrmann, Austin Butler and the Music of ‘Elvis’
Baz Luhrmann’s Elvis hit theaters last month and as far as biopics go, it was one for the ages. In fact, you can’t have a film about “The King” without going over-the-top theatrically, stylistically or musically. It’s one of the best films we’ve seen in a while. Moreover, it should continue to prove that going back to the theater is anything but mundane – it is an event! The film finds Luhrmann reuniting with long time-collaborator, Elliot Wheeler, to help bring Elvis Aaron Presley’s music to the modern masses. After developing a shorthand with Luhrmann on The Great Gatsby and The Get Down, Wheeler returns with a unique dual role as both composer and executive…
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Interview…Joseph Trapanese on Chamber Music, Cellos, and Choir in ‘Spiderhead’
One of the busiest film musicians out there has to be Joseph Trapanese. Let’s call him “Joe.” Joe is a composer. These days, Joe is happy. In fact, he’s very, very happy. And why wouldn’t he be? He’s one of the most sought-after magic makers and has a brilliant track record working on huge films with megastar directors. In Netflix’s Spiderhead, Joe reunites with director Joseph Kosinski (with whom he previously worked on TRON: Legacy, Oblivion, and Only The Brave). Aside from working closely with his good friend Joe K – we’ll call him “other Joe” – Mr. Trapanese had the unique opportunity to get away from the music that…
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Interview…Jasha Klebe on the Freedom and Found Sounds of ‘Queer As Folk’
Jasha Klebe is a composer known for emotive melodies and impactful scores. Most notably, Jasha co-scored the BAFTA and Emmy nominated music of BBC’s Planet Earth II, alongside Hans Zimmer and Jacob Shea. He additionally provided music to the follow up series, Blue Planet II, as well as wrote the Emmy nominated music of National Geographic’s Challenger Disaster: Lost Tapes. Jasha also composed the score to Netflix’s 2015 Oscar-nominated documentary, Winter on Fire: Ukraine’s Fight For Freedom and National Geographic’s, Diana: In Her Own Words. Jasha began his musical career at the age of 5, singing at his Grandparents’ opera house, Cinnabar Theater, in Petaluma, CA. He studied classical piano…
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Interview…Composer Frederik Wiedmann on DC Superheroes, John Barry and the Sound of Animation
Emmy-award winning Frederik Wiedmann is one of the most diverse and cultivated composers working in motion pictures today. With over 140 titles to his name in all realms and genres, Wiedmann has established himself as insightful artist with an enduring passion for storytelling. Wiedmann has been inspired by film composition since he first heard John Barry’s score to Dances With Wolves at the age of 12. Wiedmann is the composer behind the hit Disney Junior show Miles from Tomorrowland, as well as the critically acclaimed Netflix animated fantasy series The Dragon Prince, which is from the writers of the popular series Avatar: The Last Airbender. He’s also written music to…
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Interview…Voice Artist Tim Burden on The Legacy of John Williams, Live Orchestras, and La-La Land Records
One of the joys of running this site is that, over the years, we’ve made friends and colleagues in the journalism and entertainment industries. And it’s extra special when you’re able to bond over common interests. In this case, we are happy to know a very experienced and devoted film score fan by the name of Tim Burden. We interviewed Tim years ago, and got to know all about his work championing film music, as well as his other pursuits in the arts. It all started with a discussion about his father, the legendary London Symphony French Horn player, John Burden. We love diving back into our old interviews from…
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Interview…Composer Jon Ekstrand on the Sound of ‘Morbius’
Jon Ekstrand is a Stockholm based Swedish film composer and artist. He began his career under the mentorship of acclaimed sound designer Owe Svensson, where he sharpened his skills at understanding the power of sound and its dramaturgic importance in helping a story realize its potential. In 1998, whilst attending Stockholm Film School, Ekstrand met Director Daniel Espinosa, in which the two formed a tight creative relationship which continues to this day. Ekstrand and Espinosa have collaborated on seven films, including the hit trilogy Easy Money as well as Hollywood Studio Films Child 44, Life, and the Marvel film Morbius starring Jared Leto. The hybrid soundtrack is part synth, part…
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Interview…Composer Steve Mazzaro on the Quirky and Charming Score to ’Army of Thieves’
Every few years, some piece of pop culture jumps up, grabs hold of us and just won’t let go. In this case, it was the unassuming prequel to Zach Snyder’s Army of the Dead. Considering they both deal with zombies, perhaps the surprise (and parallel) was quite funny, even serendipitous. What really comes alive in this heist film, which are usually fun by nature, is the music. At times, it is white-hot to match the energy (and calamity) fueling this team of discarded dorks. Other times, it is somber and anguished as these characters wear their emotions on their sleeves. Further, the sound pulsing through the speakers is so unexpected…
