In the world of film scores, there are many composer/director relationships that get a lot of notoriety. But in the last twenty years, co-composing has become more accepted and just as celebrated. Many times – due to the nature of the business and the timelines on certain projects – it is simply a necessity. Whether it’s temporary help, or invaluable creative input throughout the assignment depends on the project, but having that extra bit of assistance can bring a new voice, err sounds and ideas to the palette. Hans Zimmer and James Newton Howard on the first two Nolan Batman films, Trent Reznor and Atticus Ross on The Social Network,…
-
-
Interview…Brian Tyler on ‘The Fast Saga’, Personal Projects and Connecting with the Audience
When it comes to contemporary composers, Brian Tyler is one of our favorite musicians. He is supremely accomplished – skilled in playing piano, guitar, drums, bass, cello, world percussion, guitarviol, charango and bouzouki – and able to walk through multiple genres, even in the same film. It’s been a long time since we interviewed Brian about his work, but he’s done a lot since 2016. Over the years, we’ve had lively and insightful conversations about some of his standout scores: Rambo, Teenage Mutant Ninja Turtles, Iron Man 3, Now You See Me, The Expendables 3, and Criminal. For years, Brian has been interested in listening to and deconstructing a wide…
-
Interview…Junkie XL on the Mondo Box Set of ‘Zack Snyder’s Justice League’
It’s been a while since we chatted with Tom Holkenborg (aka Junkie XL), and boy how his career has soared. It wasn’t enough to follow George Miller to the ends of the ear and destroy the sonic landscape with such raw and powerful drums. As an artist, he had to push farther, and we’re so glad he did. His signature blend of rhythms – a style that comes from deep down in his DNA – can be heard in all his scores no matter how far apart they seem on the surface. Are we saying that Mad Max: Fury Road, Mortal Engines and Sonic the Hedgehog are the same? Yes.…
-
Exclusive: Interview…Stephanie Economou Discusses Collaboration and Inspiration on ‘Jupiter’s Legacy’
Stephanie Economou is a composer and violinist based in Los Angeles, CA. Her early successes have emerged from her exploration and study of widely varying musical styles, including classical, experimental, folk and rock. Stephanie’s experience in film scoring extends from drama to action to comedy, which has demanded the synthesis of an electronic and acoustic musical palette. It is her uniquely hybridized compositional voice which has proven a valuable asset across a wide spectrum of visual media. Stephanie is the composer of the upcoming Netflix TV series Jupiter’s Legacy, based on the comic series by Mark Millar. She has written the music for the Lionsgate/Starz series Step Up: High Water,…
-
Interview…Composer Kate Simko on Awareness and Acceptance in ‘Underplayed’
American composer, electronic music producer, and leader of her ensemble London Electronic Orchestra, Kate Simko blends distinctive influences from her hometown, Chicago, and formal training in classical piano and jazz. Kate’s music has been licensed by ABC Television, Victorinox, and Giorgio Armani, and she has written original music for films, commercials and shows featured on the BBC, Netflix and PBS. After graduating Northwestern University’s music school Kate’s career started in Los Angeles interning on feature films, and then took a surprise turn as her live electronic music career took off. She spent her twenties performing at revered clubs and festivals across the globe, from underground venues in Berlin and Tokyo…
-
Interview…Composer Jermaine Stegall on ‘Coming 2 America’ and the New Sound of Zamunda
Jermaine Stegall is an accomplished and versatile composer and conductor. Stegall’s extensive music studies include a BA from Northern Illinois University’s School of Music, a Master’s degree in Music Composition from the University of North Texas, and the prestigious Scoring for Motion Pictures and Television program at USC. Following his formal education, he was selected as a Sundance Composer Lab Fellow, as well as the BMI Conducting Workshop. With over 50 projects to his credit, Stegall’s professional career began as a music intern for the film I, Robot, and Stegall’s scoring and conducting assignments have included film and TV shows in all genres, to leading bands at major musical events.…
-
Interview…John Powell on ‘Solo’, John Williams, and A Long Time Before A Galaxy Far, Far Away
British composer John Powell began his career in the advertising world writing music for commercials. Growing up in a musical family, you could say it was in his blood and it wasn’t long before he left the jingle world and headed to Los Angeles after being recruited by Hans Zimmer. While there, he worked on titles like The Prince of Egypt and The Road to El Dorado before being groomed for his first big solo outing: Face/Off. Talk about making an entrance. Powell came out swinging – to match the ballet of bullets and boat chases in the John Woo actioner – but he also gave the film lots of…
-
Interview…Composer Will Bates and Director Mike Cahill Discuss ‘Bliss’
Will Bates is an award-winning composer, multi-instrumentalist and founder of music production company Fall On Your Sword. As a solo artist and multi-instrumentalist, Bates has recorded and toured around the globe. As a saxophonist, Bates has collaborated with legendary artists ranging from 60’s icon Lulu to techno legend Marshall Jefferson. Bates works frequently with director Mike Cahill, and the two weave mind-expanding narrative magic for TV and film. Cahill (Another Earth, I Origins) wrote and directed the new film, Bliss, which is being distributed by Amazon Studios and the soundtrack will be released by Milan Records. It tells the multi-layered story of a man whose life lacks purpose, and he…
-
Interview…Ilan Eshkeri on Honesty and Hope in BBC’s ‘A Perfect Planet’
Ilan Eshkeri is an award-winning composer, artist, songwriter, producer and creator. We spoke with Ilan in 2015 (about 47 Ronin, Black Sea and The Snowman & The Snowdog) and were happy to catch up with him to discuss his process writing music for BBC’s A Perfect Planet. This new nature series is his fourth collaboration with legendary naturalist Sir David Attenborough. The bulk of this interview focuses on his efforts to write that music and the underlying idea of hope in many of the themes (we’ve included selections from his score below). Recently, Ilan and Ralph Fiennes completed their third film together – a biopic about Rudolf Nureyev, The White…
-
Interview…Composer Zach Robinson on Synthwave, Musical Influences and ‘Cobra Kai’
Zach Robinson is an LA-based composer, music producer, and electronic musician. Since 2009, Zach has created 1980s inspired electronic music under the pseudonym D/A/D. His most recent album The Construct (2013) was named one of the best cassette releases of 2013 by NPR and received critical acclaim from numerous online publications including Pitchfork, Ad Hoc, and FACT Magazine. After receiving his degree in music composition from Northwestern University, Zach cut his teeth working with acclaimed film composer, Christophe Beck, writing additional music for films such as Ant-Man, Edge of Tomorrow, Frozen, Hot Pursuit, Sisters, and The Peanuts Movie. He most recently composed the score for Quibi’s action comedy Die Hart, starring…
