Founded over 40 years ago by Emmanuel Chamboredon, Milan Records has released the soundtracks to renowned and critically acclaimed classics such as Ghost and Backdraft. Scan your shelves – it’s a good bet that a sizeable chunk of titles bear the fanciful logo of the winged man with a heart-shaped head. Fitting image as that’s how I feel whenever I listen to a soundtrack. Since 2004, Jean-Christophe Chamboredon continues the legacy for his father who started Milan in 1978. In this week’s podcast, we got to speak with Chamboredon about the iconic company which was recently acquired by Sony Music Masterworks. This business venture offers even more opportunities to put…
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Interview…Genevieve Vincent on ‘The Broken Hearts Gallery’ and Charting Her Own Musical Course
Earlier this month, we got to have a wonderful chat with composer Genevieve Vincent about her work on film music, concert music, and as music producer. She most recently completed scoring the Sony romantic comedy The Broken Hearts Gallery and Moving Art “Hokkaido” for Netflix for which she wrote a Japanese inspired orchestral hybrid score. Born in Vancouver, BC, based in Los Angeles, Vincent studied the Suzuki violin method, and was a student of The Royal Conservatory of Music in Vancouver. She went on to attend Berklee College of Music where she graduated with a dual major in Film Scoring and Composition and studied privately under concert music composer Alla Elena…
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Interview…David Wingo Discusses Patriotism in ‘The Report’ and Sound Design in HBO’s ‘Barry’
The last time we spoke with David Wingo, he was wrapping up work on Loving, the latest in a series of continuous collaborations with friend and director Jeff Nichols. Their relationship has resulted in some standout music in films like Take Shelter and Midnight Special. Since then, Wingo has taken a crack at TV shows. Musicians don’t like being pigeon-holed, and lucky for Wingo that Kidding and Barry couldn’t be any further removed from each other. Last month, Scott Z. Burns‘ film, The Report, hit theaters (and is now on Amazon Prime). It’s a riveting thriller (based on actual events) that follows idealistic Senate staffer Daniel J. Jones who, tasked…
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Interview…Composer Rendra Zawawi on the Emotion and Empowerment of ‘M for Malaysia’
Rendra Zawawi is an award-winning composer, songwriter and music producer. He composed the song “Arena Cahaya” for the 2016 Malaysian sports football film, Ola Bola, which won Best Film Song at the 2017 Malaysian Film Festival and a Golden Horse Award for Best OriginalTheme Song at the Taipei Golden Horse Film Festival. Rendra’s credits include working with Emmy-winning composer Mac Quayle on shows including Mr. Robot, FEUD: Bette and Joan, 9-1-1, FOX’s Scream Queens and Netflix’s The Politician. Rendra also contributed additional music to American Horror Story and American Crime Story: The Assassination of Gianni Versace. He most recently scored the drama documentary M for Malaysia, which was selected as…
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Exclusive: Interview…Composer David Newman to Conduct 20th Anniversary Concert for ‘Galaxy Quest’
Next month, the San Diego Symphony will put on a live–to-picture performance of Galaxy Quest, the classic sci-fi comedy from 1999 starring Tim Allen, Alan Rickman, Sigourney Weaver, Sam Rockwell and Tony Shaloub. What’s that you ask? Why would a symphony play the music to a comedy? Well, two reasons: One, it’s really great music to a really fun film. Two, it’s really great music written by David Newman. These days, orchestras know they have to inclusive – they can’t be exclusive – and there’s no benefit to being closed-minded. Orchestras used to just play the same canonical works, but now they have really embraced the popularity and the artistry…
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Interview…Composer Miles Hankins on the Musical Backdrop to ‘Long Shot’
Award-winning composer Miles Hankins boasts a diverse body of work spanning the entertainment industry. He most recently co-composed Seth Rogen and Charlize Theron’s romantic comedy, Long Shot with Marco Beltrami. Additionally, Miles received a Sports Emmy nomination for Outstanding Music Direction on the HBO documentary series Being Serena and was recently honored at the awards ceremony in New York. As an exceptionally creative independent composer, Miles has collaborated with Beltrami on several critically-acclaimed scores including A Quiet Place, which received a Golden Globe nomination for Best Original Score, Marvel’s Fantastic Four, Sony’s The Shallows, and Columbia Pictures’ The Night Before. In addition to film, Miles scored CBS’s primetime series, 3…
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Interview…Mo Shafeek on Mondo’s Marvelous Vinyl Releases
At Mondo (the Austin-based boutique poster and music label), Record Label Production Manager, Mo Shafeek, is responsible for plenty of vinyl soundtracks and film scores you probably spin regularly. Shafeek is a veteran of company, a die-hard film fan and can wax poetic about anything horror, indie, or pop-culture related in the same breath. He’s also just one of two (two!) people producing and releasing a staggering amount of albums in any given calendar year. While 2019 celebrates the end of Marvel Studios’ eleven-year cinematic journey with Avengers: Endgame, Walt Disney Records and Mondo are starting something new. Both companies are working together to release a select number of exclusive…
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The Matrix Revisited: Composer Don Davis Reveals Secrets from His Score to Celebrate the 20th Anniversary of ‘The Matrix’
Editor’s Note: This post contains the introduction to an article I wrote specifically for The Hollywood Reporter. It was a great honor to work on a post about a film, and film score so dear to my heart. In this retrospective, composer Don Davis plugs back in to recall the lengths he took to satisfy the Wachowskis’ exacting vision. Click here to read the full article. Twenty years ago, The Matrix blew audiences away with its ground-breaking, generation-defining style. That was in tandem with substantive themes that were esoteric yet accessible. For every Hong Kong-styled wire fight, there was an equally engaging reference to Plato. One integral component to the success of…
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Interview…Joe Kraemer on the Score to ‘The Man Who Killed Hitler and Then The Bigfoot’
Over the last 23 years, composer Joe Kraemer has seen his fair share of stories. His resume is full of everything from short films to Hallmark Channel flicks to the biggest Summer blockbusters. But his latest might be the most complex project to date. The Man Who Killed Hitler and Then The Bigfoot really is a unique film. In a way, it’s literally the title and, yet nothing like; it sounds like a Troma film, or a Roger Corman movie, when it has more in common with what you’d get from Frank Darabont, or Robert Zemeckis, without it feeling like a throwback. We’re fans of the music Kraemer wrote for…
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Interview…Composer Roger Suen on the Varied Musical Palette of ‘Ms. Purple’
Composer extraordinaire, Roger Suen, has lent his expertise to numerous feature films, television series and documentaries. A Southern California native, Suen studied music composition as an undergraduate then graduate student at UCLA and CSUN. Suen’s diverse music portfolio includes scoring additional music for Guillermo Del Toro’s four-time Oscar winning film The Shape of Water, Netflix’s five-time Emmy-nominated series Daredevil, and Marvel’s Emmy-nominated series, The Defenders. Through his mastery of orchestral composition and modern electronica, he has created heart-pounding additional music for blockbuster films such as Oscar-nominated X-Men: Days of Future Past, X-Men: Apocalypse, and The Nice Guys. This year, Suen provides the score the modern Asian-American drama film, Ms. Purple, which…
