It’s fitting that Cloud Atlas, an inherently brave commercial and artistic venture, places heavy thematic emphasis on instances of human bravery in its sprawl of interwoven plot lines. Andy and Lana Wachowski haven’t built their career together by making cinema that follows traditional notions of filmmaking, after all– going back to 1999, The Matrix completely rewrote the rules of action films in terms of how they’re crafted both visually and thematically, while 2008’s Speed Racer very much defied standards of editing and storytelling in trippy, audacious ways. Taking all of that into account, Cloud Atlas might almost feel like an expected work from the Wachowskis– like the other movies of their oeuvre, it bucks convention, specifically…
-
-
To Know Or Not To Know? – The Great Spoiler Conundrum
SPOILERS!! We all hate them. Honestly, who enjoys someone else ruining the fun to be had by telling us what we’re in store for before the time? Sure we put up with a certain amount of it in trailers, hell even posters sometimes ruin a film (I’m looking at you Quarantine!). But I’m not talking about spoiling a film’s twist or ending or both. No, I’m referring to our, at times, insatiable searches from film info and am simply wondering when is enough enough? Moreover, when/how can we spare ourselves the disappointment of knowing something about a film or a character before the lights go down in the cinema or…