Growing up on a healthy diet of No Doubt and ’90s era music, Catherine Grieves was unknowingly charting her course to the field of Music Supervision. Cat was also thinking about music in those terms anyway; she’d always wanted to be the person who chooses songs for Match of the Day, aka the world’s most famous football show. While it didn’t seem a tenable career path, she followed her musical interests (playing flute and piano and singing) before getting a degree in Sound Engineering. The need for music supervision on TV and film in the UK increased, and Cat got an internship at the time more BBC productions were trying…
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Interview…The Waltzes, Wizards and Wonder of Composer Patrick Doyle
As die-hard fans of film scores, one of our favorite people to speak with is composer Patrick Doyle. While he’s known the world over for his sensational, rousing, and robust music, that’s really only a portion of the man. Whenever we talk to him about his life, we segue into topics that, some times, are even more fascinating than the topic du jour. For instance, Patrick lives in London and has had a holiday home in France for 30 years; a building that conservatively one could estimate was built in the 1700s. Also, not many people can claim to own a tapestry that adorns a centuries old wall. That’s pretty…
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[Exclusive] Interview…Kip Winger – Rock Legend & Classical Compositional Master
Once in a great while we get the chance to speak with someone we’ve truly admired for years. In this case it is decades, plural, and Winger has been deep in our acoustic DNA since 1991. On today’s show we reached for an out of this world guest and are so excited to share this interview with you. It was a true thrill speaking to Kip Winger about the impressive and dizzying number of projects and albums from the rock world to the classical music landscape. Those of you who are fans of hits like “Down Incognito“, “Easy Come Easy Go” or “Headed For A Heartbreak” (just to name a…
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Interview…Director James Marsh on the Brilliant Writing and Acting in ‘Dance First’
We live for films that surprise, entertain and delight. Whether it is the subject matter or the talent involved, when something raises eyebrows or pulses it tends to stick with you. One such film is James Marsh’s latest effort. The BAFTA and Academy Award winner (The Theory of Everything) brings us a stunning adaptation of the life of playwright Samuel Beckett. In our eyes, the most remarkable part of Dance First is the writing from Neil Forsyth. It’s sharp on paper but is increasingly elevated by the amazing cast which make the scenes and dialog so compelling. So it’s no surprise that we were excited to speak to Marsh about…
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Interview…Composer John Debney Blazes the Trail for ‘Horizon: An American Saga’
When you think of Westerns, and the truly great scores and soundtracks that propelled them into legendary status, there are a staggering number of all-time greats. Much of that credit is thanks to a wide range of composers who have tried their hand in this sacred genre: Elmer Bernstein, Dimitri Tiomkin, and Alfred Newman for starters. Then there are contemporaries like Bruce Broughton, Alan Silvestri, John Barry, Michael Kamen, James Newton Howard, Harry Gregson-Williams and James Horner as well as those just dipping their toe in for a particular film David Newman and Michael Abels. Part of that great pantheon is John Debney who has been around the corral a…
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Interview…William Moseley on History and Honesty in ‘Murder Company’
We recently had the chance to speak with William Moseley, one of Britain’s ever brilliant actors, and were thrilled to have him on the podcast. At a young age he started his career with The Chronicles of Narnia, and right out of the gate he began proving his capable, captivating and complex skills as a thespian. Over the years, he’s brandished swords, ridden horses, fired guns and looked as excellent in a suit as he would a suit of armor. Last year he starred alongside Mel Gibson in the tenses actioner On the Line (which I think deserves a lot more credit), and now he finds himself in his second…
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Interview…Paul Salfen on Press, Publicity and Walking the Red Carpet of Life
We’ve been running GoSeeTalk since 2009, so, looking at the calendar, we’re in our 15th year…my, time sure does fly. While it started as a hobby blog, things changed in 2011 when we started to get invited to press and industry events – screenings, red carpets, junkets, etc. Over the years, we’ve crossed paths with a great number of local and Texas-based journalists covering film, festivals and more. Whether it is in Big D or elsewhere, we have fun wherever we go, and the circle of people doing this are as enjoyable and personable as anyone you’d hope to meet. Further, we’ve become fast friends with many, and it’s always…
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Interview…Director Parker Croft and Composer Mandy Hoffman on ‘As Easy As Closing Your Eyes’
We at GoSeeTalk really love short films. Why? Well, it’s because we appreciate the art to telling a story in a concise way. After all, it was Shakespeare who famously said, “brevity is the soul of wit.” But beyond entertainment, these projects can serve as a means to tell a larger story, so a short can be a glimpse into that world, or maybe just a proof of concept. Hell, even Encino Man did it that way. Now, more seriously, this hyper-focused look at the important/essential beats showcases the core of the narrative, and why say something in ten words when you can do it in four, right? While that…
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Interview…Composer Amelia Warner on the Sonic Swells and Sporty Sentimentality to ‘Young Woman and the Sea’
One of the most exciting, invigorating, and crowd-pleasing films of 2024 will not be a sequel, prequel or reboot. If I was a betting man, I would put all my cinema dollars on Young Woman and the Sea. What’s that you ask? Well, it’s a sports movie of a different type and it’s also the kind of story that’s most likely to surprise. Directed by Joachim Rønning (of Kon-Tiki), this tells the true-life story of Trudy Ederle, the competitive swimmer, who, in 1926, was the first woman to ever swim across the English Channel. This sensational film sits comfortably next to the likes of Apollo 13, Rudy, even The Queen’s…
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Interview…Kay Hanley and Tom Polce on Bringing Melodic Magnificence to ‘Star Trek: Strange New Worlds’
Hey there, score fans. If you’re like me, the first property you think of when someone says “musical” is probably not Star Trek. Well, you’re not wrong, but thanks to the efforts from the dynamic duo of Kay Hanley and Tom Polce that’s gonna change. These two seasoned musicians have outdone themselves with the sing-song soundtrack that, as far as those characters who boldly go, really changes everything. Episode 9 in season 2 of Star Trek: Strange New Worlds made waves in TV as the first full musical episode in franchise history. Cleverly named “Subspace Rhapsody,” the story puts the crew of the USS Enterprise and others in this universe…
