Blitz//Berlin is a group of three Juno Award winning film composers. The trio is best known for a variety of projects that border on strange an unusual, but their sound is so fitting for the likes of Jordan Peele’s “Scare Tactics”, “Blade Runner 2036”, “The Void”, and “Psycho Goreman”. They have numerous other films, television shows, video games, and film trailers to their credit…in fact, you might not even know they worked on some of your favorite things. Members Martin Macphail, Dean Rode and Tristan Tarr first met in high school, forming a Canadian punk band before beginning their film composing careers and relocating to Los Angeles in 2018. They…
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Interview…Director Derek Cianfrance on Realism and Relatability in ‘Roofman’
We should get this out of the way up front. Roofman is not a full-on comedy, and far from it actually. Even with Channing Tatum in a highly charismatic role, this story about Jeffrey Manchester is more true crime than a rousing or rambunctious tale of an underdog. Now there are plenty of heartfelt elements that make this shine, and much of that comes from the source material. While casting Tatum as the lead would make you think this is a sister sequel to Logan Lucky (which was an actual comedy crime caper), Manchester is not after one grand and hefty haul. He needs to disappear but he won’t be…
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Interview…Will Bates On the Sound of ‘Stiller & Meara: Nothing is Lost’
Many times, the most difficult creative process is going to be the most personal one. This year, filmmaker Ben Stiller is offers up a documentary about life behind the scenes in his family. To be clear, this isn’t about what went into Zoolander, Dodgeball: A True Underdog Story and There’s Something About Mary. This goes back one full generation to focus on his famous parents. The duo of “Stiller & Meara” laid the groundwork for many comedians coming down the pike. But this profound, personal look at the Stiller family shows that it wasn’t always smiles and laughs bringing up two children all while headlining night clubs and other ventures…
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[Fantastic Fest Interview]…Ying and Nathan Wong on ‘Road to Vendetta’
Most of the features and shorts that play at Fantastic Fest are labors of love created by indie and/or first-time filmmakers. They share a love of storytelling and are so passionate about their work. And, more times than none, you’d never believe that what you’re witnessing on the silver screens here in Austin is someone’s first at-bat. This year’s crop is yet another amazing harvest that shows what kind of visionaries are climbing and ascending the creative mountaintop in this world. With a one-two punch of action and highly unexpected humor that recalls the magic of Rush Hour, director Ying and cinematographer Nathan Wong, give us John Wick by way…
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[Fantastic Fest Interview]…Dean Francis and Sacha Horler on Addiction and Identity in ‘Body Blow’
One of the best things about going to Fantastic Fest is seeing something we may never get the chance to see again. This year had at least half a dozen like that, one of which is the erotic thriller, Body Blow. Let us set the scene for the steamy Aussie noir from director Dean Francis: Aiden, a young cop, embarks on a risky undercover mission where he meets Cody, a captivating male sex worker controlled by a drug lord drag queen. He dives into a perilous world, getting entangled in a deadly police conspiracy. A chance meeting at the Highball put us face to face with Francis (who is also…
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[Fantastic Fest Interview]…Director Rod Blackhurst on the Pain, Panic and Family Turmoil in ‘Dolly’
In a word, Dolly is GRUESOME. As a revenge tale – a warped cat-and-mouse narrative – it is unrelenting and unforgiving. The film has a timeless setting but it has all the color and flavor of ’70s era horror (sounds, paranoia, shot selection, psychosis, wildly exploitative gore and then some which are perfectly replicated in this homage), and boy are they thrown at us with force. The uneasiness sets in and never lets off the gas. Director Rod Blackhurst pulls no punches, and each encounter with “Baby Girl” is more squirm-inducing than the last. One thing is for sure, if you’re up for it, you won’t be able to take your…
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[Fantastic Fest Interview]…Bryan Bertino on Inner Demons and Dealing with Anguish in ‘Vicious’
Bryan Bertino is a filmmaker who is adept at giving us a dizzying array of frights on the big screen. His stories and visual style tend to stick with you, and some things you just can’t unsee. In 2008, he shocked the horror world with The Strangers. Now fast-forward to this year at Fantastic Fest where we find him returning, somewhat, to a self-contained, claustrophobic and hostile setting. Vicious is definitely in the same vein. But it’s more apt to say it’s under your skin. The force in the story is not external; it’s already here, it’s on the inside, and it knows everything about you. Bertino’s film focuses on the…
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[Fantastic Fest Interview]…Director Bruno Martín, Co-Writer Santiago Taboada and Team on Tiered Crime and Narrative Quicksand in ‘Luger’
They say crime doesn’t pay. And in the case of Luger, the energy expended ends up costing the characters more than they bargained for. Instead of reaping a huge haul a la Ocean’s 11, sometimes sacrifices have to be made. And it’s worth noting that anything remotely resembling a happy ending is unlikely to be found here at Fantastic Fest. So enter Luger – a captivating and entertaining film on a number of levels. At first, it seems like a standard and solid throwback crime drama in present times. The opening sequence, set in a cafe no less, has all the earmarks of films in this genre. Then there’s the opening…
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[Fantastic Fest Interview]…Director Eduardo Casanova on the Important Themes of ‘Silencio’
Stories work well when they serve two purposes. Entertainment is one thing, but if you can use a narrative as a chance to do something deeper and more meaningful, so much the better. In what is probably our favorite film at Fantastic Fest, Eduardo Casanova‘s Silencio is a shining example of how a genre (in this case, horror) can be a Trojan horse for getting to the heart of a socially impacting topic. Imagine, if you will, a film with a hook about vampirism is actually a means to convey how (among other ideas) how AIDS has affected many people. Oh, this is also about coming out from under the…
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[Fantastic Fest Interview]…Kyle Misak and Jon Petro on Dancing Psychopaths, Perfect Casting Choices and Narrative Tone in ‘Bad Haircut’
Sometimes, a film can hook you from the very first frame, and you just know you’re gonna love the ride. As a film fan, that’s the best you can hope for. Beyond that, if something has high replay value and staying power, it means that particular film it’s on its way too greatness or, at least, cult status. One such feature that meets all of the above and more is Bad Haircut, and having its World Premiere at Fantastic Fest is a badge of honor. Everything in this 110 minute runtime is primed for maximum enjoyment from this fervent and genre-loving crowd. All the elements we love are there (check…
