We live for films that surprise, entertain and delight. Whether it is the subject matter or the talent involved, when something raises eyebrows or pulses it tends to stick with you. One such film is James Marsh’s latest effort. The BAFTA and Academy Award winner (The Theory of Everything) brings us a stunning adaptation of the life of playwright Samuel Beckett. In our eyes, the most remarkable part of Dance First is the writing from Neil Forsyth. It’s sharp on paper but is increasingly elevated by the amazing cast which make the scenes and dialog so compelling. So it’s no surprise that we were excited to speak to Marsh about…
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Sweet Trailer…’The Theory of Everything’
Ahead of the 2014 Toronto International Film Festival the trailer for The Theory of Everything has hit the web. Starring Eddie Redmayne (Les Misérables) and Felicity Jones (The Amazing Spider-Man 2), the film is about the extraordinary story of one of the world’s greatest living minds, the renowned astrophysicist Stephen Hawking, who falls deeply in love with fellow Cambridge student Jane Wilde. Once a healthy, active young man, Hawking received an earth-shattering diagnosis at 21 years of age. With Jane fighting tirelessly by his side, Stephen embarks on his most ambitious scientific work, studying the very thing he now has precious little of – time. Together, they defy impossible odds,…
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Robert Pattinson, Carey Mulligan Costar in "Hold Onto Me"
Following Robert Pattinson’s post-Twilight* career trajectory is so far turning out to be a productive use of time; he’s already stepped out of the boundaries of that franchise by taking the lead in David Cronenberg’s Cosmopolis (Grady’s review), he’s on the cast of Werner Herzog’s next outing, and now he’s signed up for James Marsh’s post-Shadow Dancer project, Hold Onto Me, where he’ll work with the endlessly talented Carey Mulligan. Pattinson takes efforts to prove himself as a real actor daily, it seems, and while Mulligan has no such chip on her shoulder she’s still one of the best young actresses working in film today, so suffice it to say that I’d be…
