Editor’s Note: This review has been republished. It originally posted with the rest of our reviews and coverage at Fantastic Fest this past September. Back in 2012, director Scott Derrickson and writer C. Robert Cargill screened Sinister (click to read our review). Critic Brian Salisbury introduced the film to the eager Fantastic Fest crowd, and, very fittingly, called it “nightmare fuel“. Well, in the same vein as that film (and other modern horror game changers like Insidious, and The Conjuring), Australia’s own The Babadook shows that there are still untapped areas in the human psyche that, when tapped just right, are plenty capable of scaring even hardened horror fans. The Babadook is written…