Some things have certain smells that have the capacity to transport to a very specific place. Be it your mother’s cooking or the perfume of the one you shared your first kiss with, you can go to a specific memory and relive it over and over. How about the cinema? Can the smell of stale popcorn, artificial butter flavoring and dirty carpets take you some place? The same thing happens with sounds and music. Film scores have been part of cinema ever since sound was incorporated into the reel. Can you imagine Indiana Jones fighting Nazis without John Williams’ score in the background? Or Marty McFly riding his skateboard without Alan…
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Interview…Voice Artist Tim Burden on The Legacy of John Williams, Live Orchestras, and La-La Land Records
One of the joys of running this site is that, over the years, we’ve made friends and colleagues in the journalism and entertainment industries. And it’s extra special when you’re able to bond over common interests. In this case, we are happy to know a very experienced and devoted film score fan by the name of Tim Burden. We interviewed Tim years ago, and got to know all about his work championing film music, as well as his other pursuits in the arts. It all started with a discussion about his father, the legendary London Symphony French Horn player, John Burden. We love diving back into our old interviews from…
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Interview…John Powell on ‘Solo’, John Williams, and A Long Time Before A Galaxy Far, Far Away
British composer John Powell began his career in the advertising world writing music for commercials. Growing up in a musical family, you could say it was in his blood and it wasn’t long before he left the jingle world and headed to Los Angeles after being recruited by Hans Zimmer. While there, he worked on titles like The Prince of Egypt and The Road to El Dorado before being groomed for his first big solo outing: Face/Off. Talk about making an entrance. Powell came out swinging – to match the ballet of bullets and boat chases in the John Woo actioner – but he also gave the film lots of…
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Interview…Composers Ryan Taubert and Benjamin Botkin Channel John Williams for ‘Blockbuster’ Podcast
From Epicleff Media, Blockbuster Podcast tells the true story of how Steven Spielberg, George Lucas and John Williams re-invented escapism at the cinema and forever changed the experience of going to the movies. It was an adventurous and nebulous time in the ‘70s when these visionary directors took their first step into a larger world. And their movies weren’t half bad either. What helps make this podcast so vibrant and immersive is the original score composed and produced by Ryan Taubert (above L) and Benjamin Botkin (above R). Having to write music for this series was already a challenge, but having to do it in a way that embodied the spirit of John…
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Interview…Matt Schrader on Immersive Audio and Pioneering Podcasts with ‘Blockbuster’
From director Matt Schrader and producer Kenny Holmes comes Blockbuster, a six-part, 2.5-hour immersive audio series that traces the young friendship of Steven Spielberg and George Lucas — before Jaws and Star Wars — and before anyone knew their names. It’s a story that took place a half century ago — authentically recreated in striking detail by leading voice actors, award-winning sound designers, and with a sweeping original score. Also, this series features the most advanced sound design ever created for a podcast. Over the course of six months, the Epicleff team utilized prominent, award-winning voice actors from the animation and video game industries, captivating three-dimensional sound design from Motion Picture Sound Editors-nominated designer Peter…
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Interview…Composer/Orchestrator Conrad Pope Teaching and Performing at the Hollywood Music Workshop
In the span of 30 years, composer/orchestrator Conrad Pope has worked on more than 420 films. We spent an hour with Pope, and he is an infectious joy as well as one of the most laid-back people you’d ever meet. But he’s also a legend. Name any film or topic, and you’ll sit there in awe of the stories he could tell. I sure did. It’s been said that Pope is the best kept secret in film music – if there’s a successful score, it’s because Conrad Pope is attached to it. He will quickly and humbly shoot that down, but as his mentor used to say, “It’s always amazing…
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Off the Shelf…’Star Wars: The Force Awakens’
J.J. Abrams, after years in TV, proved his mettle revitalizing the Star Trek franchise on the big screen. He later left the galaxy where people boldly go, and ventured into another – this one far, far away. The first non-Lucas involved Star Wars episodic story expands on everything which came before. However, Episode VII, smartly, does not rely on nostalgia. The Bad Robot team knows this universe well, and they pick up on the previous saga’s material in ways both reverent and forward-thinking. Here, with a seemingly limitless canvas, Abrams and company offer, more or less, a new origin story and a true passing of the torch, err lightsaber to the likes of Daisy…
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Exclusive: Mo Shafeek Shares Stories as Mondo’s Record Label Production Manager
Mondo employees are a rare breed of cinephiles and artisans – chalk it up mostly to each of them having seen certain films way too early in their lifetime. Having watched those titles countless times, movies are not just a means of entertainment, they are part of their DNA. Who else could make/understand a “little too Raph” joke on a daily basis without missing a beat? In short, certain films defined their tastes for years to come. One such individual is Mo Shafeek. We got to speak to him for over an hour regarding his role as Mondo’s soundtrack production manager. Based in Austin, TX, the Mondo bunch (Mo included),…
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G-S-T Review…Star Wars: The Force Awakens
Star Wars: The Force Awakens continues to take the world by storm, but that shouldn’t be news to anyone. It is Star Wars after all, but with J.J. Abrams at the helm, things looked really good from the get-go. The film isn’t perfect (pacing is sluggish at times, and villains, at this point, are under-cooked), but it is highly enjoyable, and that’s all thanks to solid writing, and the collage of themes and characters both old and new. Abrams, after proving his mettle revitalizing the Star Trek franchise, brings us a story that expands on everything that has come before and, more importantly, hits the right chord with fans. Episode VII,…
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FourScore Match-Up #21: “The Life and Times of John Williams”
As I stated in our anniversary post (check it out here, it’s a really good read), 2015 has been a fantastic time to be a film fan. While the year didn’t quite hold as many game-changing blockbuster films as studios boasted (and fans or critics expected), most audiences were still plenty thrilled in theaters across the country. Mad Max: Fury Road and plenty more will be remembered for decades, but it just didn’t result in the “greatest Summer of all time” many wanted it to be. Regardless, in the entertainment world, if you end on a high note, people tend to forgive the missteps and mediocrity that came before. So…
