• Composer Series,  Interviews,  Movies/Entertainment

    Interview…Emmy-Winning Composer Michael Price On ‘Sherlock’, David Arnold and Michael Kamen

    Michael Price is one of the UK’s most sought after composers. Last month, he and fellow composer David Arnold took home an Emmy Award for their music on Sherlock after being nominated in the last two years. You may have heard Michael’s work in a number of films including Wild Target starring Bill Nighy, Emily Blunt, Martin Freeman, Rupert Everett and Rupert Grint. Michael scored two documentaries for famous producer and director Alfonso Cuaron; The Shock Doctrine (2007), Naomi Klein’s brilliant and terrifying film on disaster capitalism and The Possibility of Hope (2007), a look at different matters of the world such as immigration, global warming and capitalism through the…

  • FourScore,  Movies/Entertainment

    FourScore Match-Up #6: “Once Upon A Time In The West”

    Much like one of our earlier FourScores, today’s match-up focuses on the gunslingers who helped tame the West. Each film is is chock full of boots, spurs horse and more, fantastic shootouts and of course simply stunning scores to drive it all home. But only one will take the tile of the Wildest. Who will it be? Is it the OK Corral’s fearsome foursome, the tale of the outlaw/bored king Ben Wade, a man named “Bluebonnet” just trying to make a living, or the anonymous man named “Joe“?? Find out after the jump…

  • Movies/Entertainment,  Off the Shelf

    Off the Shelf…’Robin Hood: Prince of Thieves’

    Due to a very pleasing viewing of the recent Robin Hood film, I thought I’d re-evaluate the previous Mr. Hood, the one whom I’ve held on a pedestal for so long. Comparatively, they are different sotries and given that the newest Ridley Scott film is a production that throws out most convention, looking back it seems more apparent that Costner’s did so as well (just to a lesser degree). Was it a bad thing? No. It, just like Scott’s film, just fit well in the time it was made and like history has shown us, change, sometimes, an inevitable part of storytelling. As far as Kevin Costner’s film, does it stand up? Nostalgia aside, I…