Good news, horror fans: The Possession contains fifteen minutes of a solid Sam Raimi flick. There’s bad news, of course, and that’s that those minutes find their home in the climax, which is preceded by a mixed bag of demonic possession tropes brought to us by Danish filmmaker Ole Bornedal. The Possession finds itself in an uncomfortable place where it reminds us why Raimi is such a treasure to the horror genre, but for reasons that aren’t necessarily good; when the heavily Raimi-influenced climax outshines the entirety of the rest of Bornedal’s film, it’s something of a disservice to the rest of the picture, a possess-by-numbers yarn inspired by a very real and allegedly…