Composer Paul Leonard-Morgan provides a pulse-quickening backdrop to his latest project, Netflix’s documentary Chaos: The Manson Murders. His score weaves swirling orchestral instrumentation and rock elements with throbbing synthetic beats and drones that punctuate the intrigue of conspiracy unraveled in the film. We spoke to Paul in 2020 and since then, he’s been super busy. When we say he’s done a lot, we mean A LOT! His work always impresses us, and this one is a high point for sure. Like most features, providing music for a documentary is a task that should be careful not to crowd or overwhelm the dialogue. Yet with this project, director Errol Morris wanted Paul…
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Interview…Composer Paul Leonard-Morgan on High Energy, Cyberpunk, and Philip Glass
Over the years, we’ve spoken to lots of people in the entertainment business, and neither our good friend Bryan Kluger (of BoomStickComics) nor myself have met many individuals with the all-out energy and enthusiasm that Paul Leonard-Morgan exudes. No joke. The Scottish composer is a delight to speak with and you can tell he doesn’t just love his job…he realllly loves it and that comes through in how he describes his process (using analog synthesizers), his projects (Disney Test Track at Epcot Center and Limitless), and his collaborators (Alex Garland, Mark Romanek). He loves life, cares for everyone, has great taste in film and scores, and he even coined a catchphrase…
