This summer we’re bringing back our series of posts dedicated to great directors, starting with Cameron Crowe whose first screenwriting effort, the cult classic Fast Times at Ridgemont High, grew out of a book he wrote while posing for one year undercover as a student at Clairemont High School in San Diego, California. Since the film’s release in 1982, Crowe has written and directed several hit features and rock documentaries. While best known for his character-driven narratives, centering on couples in love, Crowe’s style has proven successful in creating a variety of roles and narratives. His journalistic background gives Crowe’s storytelling a unique perspective and heightened sense of realism that…
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G-S-T Review…A Late Quartet
If A Late Quartet, the second feature by Yaron Zilberman and his first film since his 2004 documentary Watermarks, proves anything, it’s that good performances can elevate average movies. To say that Zilberman’s cast saves his picture would be somewhat generous, though. They only distract us from its inadequacies, which are numerous, though perhaps this is a harsher judgment than the film really deserves. A Late Quartet is harmless, airy fluff, small-scale prestige cinema that smartly gathers together a group of very gifted actors in the service of exploring life lessons filtered through the overarching motif of Beethoven’s Opus 131 String Quartet (in C-sharp minor); it’s also painfully undercooked to…