Hailing from Brighton, UK comes an electronic artist you’ve been desperately missing in your life. At GoSeeTalk, we’re fans of many things, and among them are films and synth music. Well, the universe must have aligned to let us find this sensational musician who makes simply stunning synthwave and vaporwave music that has very, very cinematic leanings. So who is this audio alchemist? Well, his parents call him Steve, but professionally he is Opus Science Collective (or OSC for short). This well-versed music producer, composer, remixer, works with various forms of electronica, Retrowave, Synthpop, Synthwave, ElectroFunk, Funk, Ambient & more. For more than an hour, we get to find out…
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Interview…Alex Billington on Journalism, Film Festivals, Photography and FirstShowing.net
For many of us, our interests and passions run deep, don’t they? After all, we should know because GoSeeTalk is more than a hobby. Since 2009, it has become a way of life because it gets me closer to my first love which is film. Now from that standpoint, take a look at the landscape of web-based film fans and most anyone running a blog about cinema. From the biggest outlets to the smallest niche site, ham-and-eggers and pros stand on even ground to pursue/proclaim their love of movies in almost equal measure. For the past 13 years, we’ve been giving you devoted readers “the highs and lows of the…
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Interview…Music Supervisor Cody Partridge on TV, Film and ‘Letterkenny’
Here’s a fun diversion. Take a movie, any movie, and skip to the end credits. These days, a ton of people work on any given project, and yet very few of them get the “credit” they deserve. Why? Well, I’d posit that many people have no idea what some of those titles mean. What’s a key grip? Answer: they set up the lights. Well, what’s a best boy? Answer: they help the key grip. There’s all sorts of trades who contribute but one of the more nebulous out there deal with audio. So, Marc, what’s with all this preface? Just tell us who we’re going to hear from. Ok, then,…
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Interview…Composer Steve Mazzaro on the Quirky and Charming Score to ’Army of Thieves’
Every few years, some piece of pop culture jumps up, grabs hold of us and just won’t let go. In this case, it was the unassuming prequel to Zach Snyder’s Army of the Dead. Considering they both deal with zombies, perhaps the surprise (and parallel) was quite funny, even serendipitous. What really comes alive in this heist film, which are usually fun by nature, is the music. At times, it is white-hot to match the energy (and calamity) fueling this team of discarded dorks. Other times, it is somber and anguished as these characters wear their emotions on their sleeves. Further, the sound pulsing through the speakers is so unexpected…
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Podcast: 2021 Recap – Films, Scores and More!
Hi everybody. Well, we’re completely out of 2021 (whew!) and as we march forward into what the future of cinema holds, let’s take a quick look back to what impressed or depressed us in the last twelve months. On today’s show, I’m again joined by my compadre, my Consigliere, my caballero, Federico Furzan. Together, we run down the best & worst of 2021 as well as our favorite films, film scores, and anticipated features hitting screens in the coming months. How closely do the picks of these two high-flying film friends with low standards align with one another? I guess you’ll have to check out the episode to find out.…
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Interview…Composers Zach Robinson and Leo Birenberg on Music, Metal and Mayhem in ‘Cobra Kai’
You want to become a master of kicking ass in a musical soundscape? It’s easy! Just remember these three simple rules: Strike first, strike hard, show no mercy. Well, whether it’s sweeping the leg, or nailing a face-melting guitar/saxophone solo, our guests today can certainly tell us about their path to be the best…around. It takes time, talent, patience and a good amount of networking. Earlier this year, we spoke with composer Zach Robinson and had a blast getting to learn about his musical journey. Today, Zach is back as well as the other half of the sonic dojo that props up the Cobra Kai TV show. The duo have…
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Podcast Review: ‘Cowboy Bebop’
Hi amigos! How y’all doing?? Here we are, friends, an event we’ve waited for since we first heard those notes of Tank! more than 20 years ago. For all you fans looking forward to a long-hyped live-action Bebop event, Netflix has released a version of the beloved show that, on paper, looked like a home run: Shinichirō Watanabe as a consultant, Yoko Kanno providing new and expanded music, a great looking cast, etc. So before we go any further, we have to acknowledge how we got here. In 1998, Sunrise released the jazz-infused anime that would forever change animation for the better. From Wikipedia, here’s the short run down. “Twenty-six…
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Interview…Composer Daniel Hart on ‘The Green Knight’
Daniel Hart is a composer and performer based in Los Angeles. Hart made his feature film debut in 2013 with the critically acclaimed Ain’t Them Bodies Saints, which began his collaboration with filmmaker Dallas native David Lowery (we spoke to Lowery at the time of the release) and Hart has composed the music for all of Lowery’s films, including Pete’s Dragon, A Ghost Story, Old Man and The Gun, and 2021’s The Green Knight. He has also written music for This American Life, and composed the score for S Town, one of the most popular podcasts of all time. To score The Green Knight, Hart went on his own epic personal journey as the religious overtones of the film…
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Interview…Brittany Allen On Acting, Composing and Finding Her Voice
Brittany Allen, aka BRITT, is a multi-disciplinary artist, who on the heels of a successful career as an actor, is now emerging as one of the most exciting young female composers to watch. Her first score was for the critically acclaimed indie What Keeps You Alive (SXSW ’18) which was named a NYTimes Critic’s Pick, one of Rolling Stone’s Top Ten Horror Films of 2018, and hit the Top Ten films on Netflix. She followed that up with her “soul-tugging score” for Z, one of AMC / Shudder’s most watched films of 2020. Most recently, Allen scored the fan favorite episode of “American Horror Stories,” the anthology spinoff of the…
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Podcast Review: ‘The Suicide Squad’
Over the years, we’ve covered a lot of ground on the site. But one thing we’ve always aimed to do was a podcast. Well, after a lot of waiting we’re finally getting to it. As such, I am happy to have have our newest contributor, Federico Furzan, as my co-host (or RIO for all you naval aviators). I’m thinking of calling it ‘Two Os in Goose‘ because of my fondness for Top Gun, but Federico isn’t on board…yet. For our inaugural episode, we covered a slew of topics, and we had a blast jumping all over the map. So much so that we lost track of time. That said, if…
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Interview…Brian Tyler on ‘The Fast Saga’, Personal Projects and Connecting with the Audience
When it comes to contemporary composers, Brian Tyler is one of our favorite musicians. He is supremely accomplished – skilled in playing piano, guitar, drums, bass, cello, world percussion, guitarviol, charango and bouzouki – and able to walk through multiple genres, even in the same film. It’s been a long time since we interviewed Brian about his work, but he’s done a lot since 2016. Over the years, we’ve had lively and insightful conversations about some of his standout scores: Rambo, Teenage Mutant Ninja Turtles, Iron Man 3, Now You See Me, The Expendables 3, and Criminal. For years, Brian has been interested in listening to and deconstructing a wide…
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Interview…Junkie XL on the Mondo Box Set of ‘Zack Snyder’s Justice League’
It’s been a while since we chatted with Tom Holkenborg (aka Junkie XL), and boy how his career has soared. It wasn’t enough to follow George Miller to the ends of the ear and destroy the sonic landscape with such raw and powerful drums. As an artist, he had to push farther, and we’re so glad he did. His signature blend of rhythms – a style that comes from deep down in his DNA – can be heard in all his scores no matter how far apart they seem on the surface. Are we saying that Mad Max: Fury Road, Mortal Engines and Sonic the Hedgehog are the same? Yes.…
