Hi everybody. Well, we’re completely out of 2021 (whew!) and as we march forward into what the future of cinema holds, let’s take a quick look back to what impressed or depressed us in the last twelve months. On today’s show, I’m again joined by my compadre, my Consigliere, my caballero, Federico Furzan. Together, we run down the best & worst of 2021 as well as our favorite films, film scores, and anticipated features hitting screens in the coming months. How closely do the picks of these two high-flying film friends with low standards align with one another? I guess you’ll have to check out the episode to find out.…
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2012 Fantastic Fest Recap (Or How I Learned To Manage My Time At Such An Overwhelmingly Awesome Film Fest)
This year was Go,See,Talk’s first time attending Fantastic Fest and I have to say it was everything they said it would be. Since I was only there for 4 days, I missed out on some later week fun like the secret screening of Cloud Atlas (with a supposedly awesome Q&A with the Wachowskis…UGGGG), but there was still lots to see and do and I got a lot of reviews/coverage under my belt. For such a great festival with a huge draw it’s amazing to see how quaint and laid back everything and everyone is. You can easily bump elbows in such small proximity with both filmmakers and actors but also the film…
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[SFF Coverage]…2012 Sydney Film Festival Recap
Between the 6th and 17th of June, the 2012 Sydney Film Festival screened more than 150 films to more than 120 000 Australian film goers…just one of whom was yours truly. Although not quite as large or prestigious Melbourne International Film Festival, there’s no doubt that Sydney’s standing has been improving in recent times. This year, programmers took particular advantage of their festivals convenient placement in the international film festival calendar, snapping up several features hot of their premiere at Cannes last month (and perhaps stealing some of MIFF’s thunder in the process). Amongst the Cannes titles, Michael Haneke’s Palme d’Or winning Amour and Leo Carax’s Holy Motors proved to be two of the highlights…
