They say that “Love is a many-splendored thing.” It can also be a hair-pulling, skin-crawling nightmare that will keep you awake in terror. Well, maybe that’s not a great many people’s experience, but it’s certainly the case in Obsession. The massive box office hit succeeded because it was a compelling story that was also an alliteration of descriptions; it is simple, scary, sombre, sincere, and psychotic. You’re probably saying “Marc, psychotic begins with P.” Well, you’re right, but I don’t see it that way because Obsession scared the P right out of me. And part of what made Curry Barker’s film exceptionally unnerving (aside from Inde Navarrette‘s now legendary turn)…