If you were around in the ’80s, few things defined “cool” like music did. And, film fan or not, the top of that list is most likely going to be Tangerine Dream: the German electronic music outfit who dominated airwaves and theaters with their cutting edge electric sound. One key member of that ensemble pushing the electronic side of the band was young Paul Haslinger who joined up with them after their big hits like Sorcerer and Risky Business. Bringing a younger video game sensibility, he helped change the course of their sound for the better and contributed plenty including scores to Near Dark, Miracle Mile and Three O’Clock High.…
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FourScore Match-Up #9: “Synths and Sustainability”
Today we’re going to take a look at the films that have forgone the traditional orchestral score and instead paved new ground with something almost completely electronic. No you won’t find Ladyhawke here (which was so bad it was good…no it was just bad) but we’ll take a look at the epic worlds created by a few key stokes on a Casio/Yamaha or something synthetically similar. It’s not just what sounds great on an electronic keyboard, but also what holds up over time. So who will take the title as king of the digital domain? Is it the EDM duo seemingly born in “The Grid”, the master of all orchestral replicants, or…
