If seeing history filtered through a melodramatic lens of dishonesty is your idea of a good time, then you may want to consider buying a ticket to The Attorney; you won’t learn very much about the events it depicts, but at least you’ll be entertained by the film’s almost completely decontextualized content. Or maybe you won’t. Anybody who has a weakness for moral courtroom dramas should find themselves thoroughly engaged by first-time South Korean director Yang Woo-seok, who appears to be merrily cherry picking his way toward crafting a thesis on the abuses of government corruption and the moral imperative of lawyers in a society tainted by it. Everyone else,…