• Movies/Entertainment,  Reviews

    G-S-T Review…Django Unchained

    If there’s one filmmaker who marches to the beat of his own drum, it’s Quentin Tarantino. Raised on a healthy cinematic diet of spaghetti westerns, gritty 60’s/70’s cult classics, not to mention pretty much everything in the Australian documentary Not Quite Hollywood and more, he has become one of the film world’s most talented and widely accepted acquired tastes. From Pulp Fiction to Jackie Brown to Kill Bill to his 2009 film Inglourious Basterds, QT has learned so much about how to make film that Django Unchained might just be the pinnacle of his efforts. So how does Tarantino weave that special kind of magic? Simple, outright theft. Now that’s not…

  • Movies/Entertainment,  Reviews

    G-S-T Review…Parental Guidance

    As we turn the page from one year to another and one decade to the next, new and different styles of film making trends emerge.  The 80’s are forever cemented in history with blockbuster hits from Steven Spielberg and a plethora of Arnold Schwarzenegger and Sylvester Stallone action flicks.  In the 90’s we transitioned to Die Hard and more empathetic characters.  As we rolled into the new millennium technology began growing exponentially and so did the use of CG.  Another trend that has emerged over the past decade is over-the-top comedy.  With every movie it seems the bar is set even higher for shock factor.  Movies have gotten to the…

  • Movies/Entertainment,  Trailers

    G-S-T Trailer Round-Up: Drive Blue, Pain & Bay, and Apocalypse

    The Mayans may have been wrong about the end of the world, but don’t worry– the Go, See, Talk! Trailer Round-Up is here with two visions of Armageddon to slake your thirst for wanton destruction. Of the pair, the first isn’t a literal Ragnarok, but rather a localized catastrophe that devours an entire city; then again, when your film is set against a backdrop of explosions, crumbling buildings, and rapidly rising social anarchy, maybe that counts as the wholesale destruction of a cinematic world. Either way, Aftershock looks harsh, nasty, and bonkers in all the right ways, though I’ll take bets on how long Eli Roth actually survives in the film (and on…