I’m willing to admit that last year, I talked 2011 a bit more than necessary. Not that my feelings on the year were dishonest; contrary to many, I thought well of 2011, a year that didn’t contain a plethora of lasting classics but still offered a lot of excellent cinema for our viewing pleasure. But to call it a “great” year may have been a stretch, and I’m willing to admit that now in light of the fact that 2012 has, in fact, been a great year. How can you trust me on this one? Simple: I’ve written my top ten list, re-written it, scrapped that, started over from the…
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G-S-T Quick 5 – 2012's Underseen Gems
For critics, bloggers, and all-around cineastes, the end of the calendar year marks a time to look back and reflect on the best offerings of the last three hundred and sixty five days (and sometimes even the worst). This is when we talk about the There Will Be Bloods and the Hurt Lockers, the Slumdog Millionaires and the Yi Yis; it’s when we decry the dreck that fills the spaces in between the better releases, the Battlefield Earths and the Giglis, the Pearl Harbors and the The Number 23s. (And I realize that this collection of titles represents only a microcosm of the cinema that makes its way to theaters…