About Time‘s central romance doesn’t involve Rachel “Mean Girls” McAdams or Domhnall “Son of Brendan” Gleeson; the real lovers here are Richard Curtis and the tricky notion of time travel. How else to punch up a story that’s all about the rich existential rewards we reap from living a boring, ordinary life? Curtis employed the deceptive pleasures of coincidence to achieve the same effect in 2003’s Love Actually, though admittedly there’s nothing humdrum about the personal relationships of Prime Ministers and rock gods (or divine intervention, even if that never made the final cut). Here, he overturns a similar stone by using a far more incredible narrative tool for his…
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Exclusive: Interview…Nathan Johnson Talks Joseph Gordon-Levitt, Rian Johnson and the Musical Mojo of ‘Don Jon’
A gifted musician in his own right, film composer Nathan Johnson creates such unique musical soundscapes for every movie, short film and project to which he’s attached. This year he composed the score to Don Jon, which is Joseph Gordon-Levitt’s modernized interpretation of the iconic thief of hearts. With a sound and style that’s so varied and diverse, Johnson’s scores have given such a unique atmosphere to films like Brick and Looper. We got to chat with Nathan about his work on Don Jon, his process working with different directors and so much more. Below are the highlights of our time with him. ——————————————————————————————————————————— – An interesting take on the fabled Don Juan DeMarco, Don Jon…
