In what might be the best film of the year (not the most popular – that’s a toss up between Star Wars: The Force Awakens, Mad Max: Fury Road, and, for us, The Martian), Alejandro González Iñárritu one-ups his stellar Birdman with an equally compelling narrative which is, shockingly, a true one to boot. The Revenant has echoes of what other filmmakers might have done with their own surreal Western (Kubrick, Malick, and Refn to name but a few) and yet Iñárritu makes this his own, replete with stand-out visuals that say more than the characters ever could. The dialogue is kept brief, and the scenery/imagery tells us all we need to know. After…